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Migrating Apple Aperture Libraries to Capture One Pro

Apple will release macOS Catalina 10.15 in October. In a knowledge base article on their website, Apple confirms that Aperture will not run on this new version of macOS. Some may choose to postpone upgrading macOS in order to continue using Aperture. I recommend migrating to Capture One Pro.

When Apple announced in 2014 that they had ceased development of Aperture, I chose to find a new raw image editor. I wanted all the Aperture features I loved, plus all the features Apple confirmed it was never going to deliver.

I used Lightroom prior to using Aperture. After Apple’s 2014 announcement, I tried it again. With user interface and performance issues, Lightroom still didn’t measure up, so I downloaded Capture One Pro’s 30-day free trial and it quickly became my image editor of choice.

After spending a few weeks importing and editing images from my Aperture archives, I was impressed with how quickly and easily I adapted to the new workflow. Even better, the image quality of Capture One is far superior to Aperture’s and the Aperture Library import tool is more complete than Lightroom’s. Capture One Pro almost immediately felt like home and is now my go-to tool for photo editing.

Migrating between Aperture and Capture One Pro may seem intimidating, but it can be done smoothly. When I first downloaded Capture One Pro, I had over 50,000 images in my Aperture Library. After some careful trial and error, I developed a workflow to easily migrate all my images to Capture One. I’m here to share that with you – if you prefer visuals, I also go through the process in this video:

Information imported into Capture One

Before you migrate your Aperture libraries into Capture One Pro’s Catalogs, you need to know what Capture One imports, and how to preserve the information Capture One does not import.

Image Files and Versions

Capture One Pro imports all the images in your Aperture Library as referenced images. If your Aperture Library is “Managed” (the images are stored inside the Aperture Library), you need to relocate the original images to a referenced location outside the Aperture Library before migrating to Capture One Pro. You do not want Capture One Pro to reference images stored inside the Aperture Library package directory. Capture One Pro also imports all the image versions as Capture One variants.

Metadata, Keywords and Attributes

The following metadata in Aperture libraries is preserved and directly imported into Capture One Pro.

  • All Aperture color labels are imported
    • Aperture Color Labels – red, orange, yellow, green, blue, purple, gray
    • Capture One Color Labels – red, orange, yellow, green, blue, pink, purple
    • Aperture purple is imported as pink, and Aperture gray is imported as purple
  • Aperture Versions are imported correctly as Capture One Variants
  • All Aperture keywords and IPTC metadata are imported to Capture One
  • All Aperture star ratings are imported to Capture One

What doesn’t get imported?

The following is a list of attributes in an Aperture Library are not imported into Capture One along with some recommended steps to preserve them.

  • Flags – Capture One does not have “flags” as an attribute on images. Filter your Aperture library for flagged images and add a special keyword to them to save the flag status.
  • Custom Metadata Fields – Capture One does not support custom metadata fields. You will need to move your custom metadata field information to standard IPTC fields in order to preserve it. As with flags, I recommend filtering on your custom metadata fields and adding special keywords to save this information.
  • Books, Slideshows, Light Tables, Web Journals, Web Pages – Capture One Pro does not have these products. If you want to preserve them, create an album in your Aperture Library for each one before migrating. Aperture albums are imported into Capture One as albums and will help you retain the list of images in each of them.
  • Image Stacks – Aperture Stacks can stack different images. Capture One Pro stacks can only stack variants (versions) of a single image. In order to preserve your Aperture stacks, create a special album for each stack in your Aperture Library before migrating it. Aperture albums are imported as Capture One albums.

Keywords deserve special attention. The Aperture keyword field does not honor keyword hierarchy even though the Aperture Keyword tool provides a keyword hierarchy. To preserve your hierarchy, export your keyword list from the Aperture keyword tool to a text file and import that text file into your Capture One Catalog using the Keyword Tool before you migrate any images to Capture One. This is illustrated in the video above.

Global and Local Adjustments

Every photo editing software package has its own algorithms when it comes to adjustments – these are usually not transferrable between programs. Capture One Pro will import many global adjustments and do a best-effort at converting them to their corresponding Capture One Adjustments. You will have to review these converted adjustments and refine all of your images after importing into Capture One.

Aperture local adjustments (brushed-in and brushed-out) are not preserved. You will have to recreate them in Capture One using Layers and Layer Masks, which are far superior to Aperture’s brushing in and brushing out. Each Layer with a Layer Mask can reflect multiple adjustments using almost all of the Capture One Pro adjustment tools. Recreating your local adjustments in Capture One Pro should take less time than it took to create them originally in Aperture.

A learning good exercise for your 30-day trial period is to bring over your Aperture archives and recreate their look in Capture One Pro. It will get you familiar with Capture One Pro’s corresponding adjustment tools and how the Capture One Pro controls work. Plus, Capture One offers free tutorials and webinars to help you master the software quickly

Preparing for the Migration

It took several attempts to develop the right workflow for migrating my Aperture libraries into Capture One. Before migrating, you need to prepare your Aperture Library and Capture One Catalog and create a working folder. Here’s a checklist to help you prepare for your migration:

  • Create a new master Capture One Catalog
  • Create a working directory for temporary Aperture ibraries and Capture One Catalogs

    • Export the keywords from your Aperture Library keyword tool to a text file in your working directory
    • Import the working directory keyword text file into the Capture One Master Catalog Keyword tool
    • NOTE – Commas are not permitted in keywords – a comma is a keyword separator character
    • Get familiar with the Aperture “Export > Project as New Library” dialog screen
      • UNCHECK “Copy originals into exported library” – they are referenced outside the library
      • UNCHECK “Copy previews into exported library” – Capture One will not import previews
      • CHECK “Show alert when finished” – handy to know when Aperture finished an export
      • Use “File > Relocate Originals” to move originals to referenced folders outside the Aperture Library

Relocating your originals to referenced folders outside the library is very important. Capture One does not copy your Aperture originals. It imports your Aperture originals by reference where they currently reside on disk. If your Aperture library is “managed” (I.e. your originals are stored inside the Aperture Library), Capture One will reference them there. If you later delete your Aperture library, you will remove the original files Capture One is referencing.Relocating your originals to referenced folders outside the Aperture Library may take some time if your libraries contain a lot of images. You will need to think through the folder structure you want before relocating them. A good starting point for your referenced folder structure is the organization you use inside your Library. You probably put a great deal of thought into that structure.

Recommended Migration Workflow

Once you have completed the preparation steps, the following migration steps will get you through the process of getting your images from Aperture to Capture One. The video linked to this article illustrates the preparation and migration processes. I recommend migrating in small batches. This will let you get comfortable with the process, allow you to edit your images in a smaller Capture One catalog before importing it into your master catalog, and help you track of your progress. I chose to migrate project by project since that is the library organizational unit that Aperture uses to “contain” images.

  • Master Aperture Library > Small Aperture Library > Small Capture One Catalog > Validate / Edit > Master Capture One Catalog
  • Select a project in your Aperture library and Export to a New Library in your working directory
  • Create a Capture One catalog in your working directory and import the new Aperture library
  • File > Import Catalog > Aperture Library
  • Validate all the images were imported and edit the images in the temporary Capture One Catalog
  • Close the temporary Capture One catalog and import it into your master Capture One Catalog
  • File > Import Catalog > Capture One Catalog

Validate the set of images imported into the master Capture One CatalogCapture One will import all the images and adjustments from the temporary Catalog and recreate previews and thumbnails of the imported images in the master Catalog. Let this process complete.

Repeat this process until all of your Aperture Library images have been successfully migrated into your master Capture One Catalog. If you have multiple Aperture Libraries, use multiple corresponding Capture One Catalogs in order to keep things straight. Do not hurry this process. Be patient and take your time. It is a deliberate and methodical process designed to ensure 100% success.

Comparing Aperture Organization to Capture One User Collections

The Library Tab in Capture One is where you organize your image collections. There is a Folders section that shows you where all of your images reside on disk. There also is a User Collections section that allows you to create virtual organizations of your images that may differ from the disk folder structure.

When you import an Aperture Library into a Capture One Catalog, some User Collections are created automatically. When you import a Capture One Catalog into another Capture One Catalog, you automatically get a User Collection that includes all the user collections of the imported Catalog.

Here are the similarities and differences between Aperture Library organization and Capture One Catalog User Collections.

Similarities:

  • Aperture Projects are converted to Capture One Projects
  • Aperture Folders are converted to Capture One Groups (Folders)
  • Aperture Albums are converted to Capture One Albums
  • Aperture nested Folders become Capture One nested Groups
  • Selecting a Project displays all the images in all the Albums it contains
  • Changing Inspector / Tool Tab panels does NOT change browser/viewer panel
  • Capture One has many built-in filters that let you search you catalog
  • Capture One creates a User Collection Group named after the imported Aperture Library
  • Your Aperture Library organization structure is recreated inside this Capture One Group
  • Aperture and Capture One allow you to place your tools on the left or right side
  • Aperture and Capture One allow you to customize the user interface (Capture One even more)
  • Customizable user interface (in Capture One can define and switch between workspaces)
  • Full screen, dual-monitor and floating resizable tool palettes support

Differences:

  • Projects are how Aperture groups images. Albums are how Capture One groups images.
  • Capture One creates an Album in each imported Project that holds the Aperture Project images.
  • Aperture associates images with Projects. Capture One associates images with Albums.
  • Aperture Versions can reside in different Albums. Capture One variants cannot (except Smart Albums).
  • Aperture Stacks can have different images. Capture One stacks contain the variants of a single image.
  • Selecting a Folder in Aperture displays all the images it contains.
  • Selecting a Group in Capture One does not.

If you don’t already have Capture One, download a 30 day trial and try it out.

Eager to learn? Access webinars, tutorials and expert help in the Learning Hub – completely free.

Sign up for the webinar

Capture One RAW photo editor 10 reasons why capture one blogpost mountain landscape by Taylor Burke feature

10 reasons why pros prefer Capture One

NOTE: This article discusses an older version of Capture One Pro. To learn more about our latest version, click here.

Capture One Pro is my must-have photo editing software for my professional wedding and portrait photography. It helps me edit large batches of images faster and create professional-grade photos for my clients – plus many other benefits!

In this blog, I’ll share 10 reasons why Capture One Pro is the go-to photo editor for professional work. Plus, I’ll share resources so you can learn more about the individual tools and features and discover them for yourself.

1. Customize your own Workspace

The ability to customize your own workspace in Capture One is an underrated but powerful feature – and one of my favorite things about the image editing software!

Every tool in Capture One is a “Floating Tool” and can be arranged anywhere on the workspace. You can move the tools around and customize each Tab to suit your workflow. My custom-built interface means I can quickly find the tools I need and cut down on my editing time.

I set up different Workspaces for different types of photography assignments – for example wedding shoots, portrait shoots, corporate portraits, etc.

Watch this quick tutorial to learn how to set up your perfect workspace.

2. Shoot directly to your computer with tethered capture

When I shoot portraits, it’s essential that the lighting is correct and super sharp – but it can be difficult to make sure of these details when looking at the LCD screen of my camera. That’s why I love Capture One’s tethered capture, which lets me shoot images directly into my computer and review each shot live.

Another advantage to tethered capture is that you can back up your files instantly, so you don’t risk losing your work. For professional photographers, time is money which is why it’s crucial to work efficiently.

This feature also allows me to apply the first color grading to the image, so the client can get a clear idea of my vision for the shoot.

Get familiar with tethered capture and how to manage multiple headshots

3. Get total control of your colors

With powerful color editing tools, Capture One Pro gives you complete creative control of the colors in your image.

The color editing tools let you adjust the hue, saturation and luminance of any color – independently of any other color in the image. You can even adjust the highlights, mid-tones and shadows of any color independently from one another. This means that you can change the hue and saturation of a green leaf in sunlight without affecting the green of the grass in the shade.

There is also a tool specifically for skin tones. You can sample a subject’s skin tone, and then use a set of sliders to make the hue, saturation and luminance more uniform. This saves me from going through complex and time-consuming retouching processes.

Learn more – and check out the other posts on color editing in the Learning Hub.

 

4. Adjust parts of a photo with Masks and Layers

This feature is a game-changer. I use Masks to select a specific area of my image to edit – without affecting the rest. For example, in wedding photography I use masks to make edits to the sky without affecting the people in the image. I also use Layers to control the impact of certain edits by adjusting the opacity.

Check out this masterclass on Layers and Masking.

5. Choose between Catalogs or Sessions

Capture One lets you manage your files using either Catalogs or Sessions, and you can choose whichever option best suits your workflow. I personally use Sessions.

Sessions is directory-based, meaning you create one Session per project. Catalogs are database-driven, so each Catalog is organized around a theme – for example I could create a Catalog based around wedding or portrait shots.

For my work, it makes sense to have one Session per job. When I finish a job or project and deliver the images to my client, I can back up the Session and delete it from my computer – this keeps the amount of files I’m working with to a minimum.

Unsure whether Catalogs or Sessions suit you best? Learn more about Catalogs or Sessions in this webinar.

6. Save hours with Shortcut Keys

As a photographer editing large batches of photos, every second counts. If I can save 2 seconds spent editing each picture by using shortcuts, I’ve saved more than 13 minutes when editing 400 pictures (which is not an unusual amount of photos when editing a wedding shoot). That means if I shoot several weddings, I can save hours of work time by using shortcuts.

Learn how to edit your own shortcuts to speed up your workflow

7. Export with ease using Process Recipes

Another great Capture One timesaver is Process Recipes – a fast way to export your photos for different purposes and destinations.

Think of it like a preset for export settings. Create recipes with specific settings for file naming, file format, export size – and process your photos using several different recipes at the same time. That means you can export the same photo with different settings for print and social media at the same time, instead of waiting for one export to finish before you start the next one.

Learn more about how to save time with Process Recipes in this short video.

8. Edit faster with Styles and Presets

Is there an adjustment setting that you use over and over? With Capture One Pro, you can save them as presets or set specific color grading as a Style, so you can easily access the same adjustment settings in the future.

Capture One also has a range of Styles – preset adjustments – developed in collaboration with major names in photography including Mastin Labs and Pratik Naik. They’re a great way to speed up workflows for professional photographers – use them as a starting point for your own editing or tweak them to speed up your process.  Learn more about Styles in this free webinar

Image with Spectrum SP-03 Style applied

9. Software tailored to studios

Capture One also has a specific photo editing software designed for professional photo studios – Capture One Studio. With tools that automate data entry and colors profiled specifically for studio lighting, it saves photography studios both time and money and helps them shoot large volumes of photos, faster.  Learn more about Capture One Studio

10. Designed with you in mind

One of the best things about Capture One Pro is that it’s designed with photographers in mind. The developers welcome feature requests, so if there’s something you’d like to see in a future version of the software, get in touch via Support or Social media.

 

If you don’t already have Capture One, download a 30 day trial and try it out.

Eager to learn? Access webinars, tutorials and expert help in the Learning Hub – completely free.

Sign up for the webinar

capture one raw photo editor express post by jakob boie sorensen feature image road between mountains

Capture One Express explained

NOTE: This article discusses an older version of Capture One Pro. To learn more about our latest version, click here.

Capture One Express is a free photo editing software for Sony and Fujifilm files – a simplified version of Capture One’s award-winning photo software Capture One Pro. It’s completely free to download and unlike a 30-day trial, doesn’t expire.

In this blog post, I’ll guide you through the basics of Capture One Express and also talk about the differences between the Express and Pro versions.

First, let’s start with why anyone would want to use a photo editor at all:

If you’ve got a Sony or Fujifilm camera, you’ve probably spent hours trying to nail that perfect, memorable shot from your holiday, birthday party – or anything else that you love to photograph. When you upload the photos to your computer and export them for printing or sharing online, you might be disappointed to find the moment doesn’t look as good as you remember it.

That’s because shooting with a camera is only half the battle – you need image editing software to make quick fixes to elements like brightness, shadows, colors or lighting and create a truly memorable photo.

It doesn’t have to be complicated – the auto adjustments and essential editing tools in Capture One Express can help you boost your photos in just a few clicks. Here’s a quick guide to using them:

Automatically boost photos

Want a fast way to improve your photos? You can automatically boost image elements like colors, white balance, contrast or brightness using Auto Adjustments in Capture One Express.

There are two ways to apply an Auto Adjustment:

1. Click the adjustments menu and select Auto Adjust.
2. Use the shortcut CMD + L on Mac or CTRL + L on Windows.

Then, select which image elements you wish to automatically adjust by selecting
Adjustments > Configure Auto Adjustments.

capture one raw photo editor express post by jakob boie sorensen adjustment tool screenshot

The other option it to click the A  symbol in the right corner of almost every Tool.  Capture One Express will then apply the tool in a way that fits your image as best as possible.

To undo an adjustment, select the single arrow or use the CMD + Z shortcut on Mac or CTRL + Z on Windows.

Capture One RAW photo editor express blogpost auto adjust tool screenThe red circle around A marks the Auto Adjustment setting in the specific tool – for example in the High Dynamic Range sliders shown here.

Instant color grading with Styles

Instantly transform the look of your photos with Styles – a layer of preset colors and adjustments that can be applied over any photo with just one click.

Capture One Express comes with some built-in Styles – scroll through and try them out on your photo to see which look you prefer. You will find them in the Styles and Presets Tool tab.

Capture One RAW photo editor express blogpost styles preset tool screen

Scroll through the different Styles and find one that fits your photo best. You can also find some built-in presets, which is an easy way to adjust specific elements of the photo.

Although you can apply Styles to JPEG files, you will get the best result with a RAW file – simply change your camera settings to shoot in RAW instead of JPEG. To learn more about the benefits of RAW files, read our Why shoot RAW blogpost.

capture one raw photo editor express post by jakob boie sorensen straight out of camera, before any adjustments road between mountainsThe photo straight out of camera, before any adjustments have been made.

capture one raw photo editor express post by jakob boie sorensen after Spring Style 05 applied, together with some applied Auto Adjustments road between mountainsThe same photo with the Spring Style 05 applied and some added Auto Adjustments

You can also save a series of adjustments and edits as your own personal Style, so you can use it again on a later photo. Simply click Adjustments > Styles > Save User Style.

For even more creative possibilities, visit the Capture One Styles store to browse the range of Style Packs inspired by different looks – from seasonal colors, to black-and-white and film photography.

Express vs. Pro

Capture One Express is a simplified version of Capture One Pro – with the same fast performance and high-quality image conversion as in the award-winning Pro version.

So what’s the difference between Express and Pro? With a full range of professional photo editing tools, the Pro version gives you complete creative control of your photo editing. For example, you can use Layers to adjust specific sections of an image without affecting the rest, apply advanced color grading, shoot directly into your computer with tethered capture, and customize your own workspace so you can quickly find the tools you need and edit big projects in a snap.

Check out the full list of Capture One Pro features.

Now you know all about Express, here’s how to get it:

Download Capture One Express (for Sony) or
Download Capture One Express Fujifilm

Launch the program, then follow these steps:


Capture One RAW photo editor express blogpost Fujifilm activation screen

You’re all set!

Want to learn more about creating great photos with Capture One Express? Visit the Capture One Learning Hub for free webinars and tutorials on the free photo software. Have fun!

 

Sign up for the webinar

Editing on the road with Thomas Skou

NOTE: This article discusses an older version of Capture One Pro. To learn more about our latest version, click here.

As a photographer, I get inspired by freedom – being able to take the long way home and stop the car whenever I want. To be able to photograph cars, people, a battered road sign or a crooked house. I like being about to create photos out of  spontaneous situations, and it gives me a kick when I manage to create something truly unique.

It’s important to me to always incorporate my own touch into my photos, no matter who I work with. I have eyes on all my fingers and am constantly thinking about pictures, lights, angles and possibilities. This is also why I love travelling and meeting strangers.

Being able to conjure up something unique such as the light, the lines or even an untapped vulnerability – that makes me stay in the profession and keep pushing the limits of what I can achieve through my camera and beyond in the post production and editing process.

As a photojournalist in my teens, my biggest fear was approaching people to photograph them for a portrait. But today, my on-the-road portraits tend to be freestyle and jumping into new things is a big part of my persona as a photographer (although my fashion shoots are typically planned down to the smallest detail.)

Capture One Pro helps me work on the road

Seeing beyond the camera and editing images in photo editing software is a big part of creating the perfect final photo. I use Capture One Pro to edit my photos for lots of reasons – the Layers, all those lovely grain effects for amazing black and white photography, and most importantly, – my workflow is automatically so much faster in Capture One Pro. This is really important to me because the majority of my work is done on the go.

Here are some examples of my editing process:

Layers are definitely one of my must-have tools: in this example, I am creating a Mask in a new Layer because the model’s legs are ice pale, while her face is dark from the hat shade. I fixed this by raising the exposure and brightness, adjusting the highlights and shadows, and finally adjusting the opacity for the most natural blend.

That’s not something I could fix in-camera – you need photo editing software to fix it, and the ability to create Masks so you can focus edits in specific areas and get total creative freedom.

In Capture One Pro, you can control any aspect of the black and white conversion so it matches the look you want. By turning up the Exposure Slider, I can increase or decrease the light all over the image. If I use the Brightness Slider instead, it only affects the shadows and midtones, but preserves the highlight.

I sometimes find it very useful to use both sliders to create a certain mood – for example, by decreasing the exposure and increasing the brightness to see the difference.

There are a lot of ways to reach the same result, for example the Curve Slider can also be used to add light and contrast. Often, an S curve can be a good starting point in a black and white conversion.

Remember that it’s often the sum of the smaller adjustments that contributes to the final image.

Making a black and white conversion in Capture One Pro is quite simple. In the Tools Bar you will find a Black & White tool. Make a simple conversion by clicking “Enable Black & White”. But it’s the ability to control every color channel along with with Levels, Curves and Basic Adjustments that can really make an image stand out.

If you want to be inspired and need a good starting point, then you also have the option of using Styles. A Style is a color grading preset, that will give you a starting point which you can then also tweak to suit your preferences. There are some excellent built-in Styles with Capture One, or you can buy all kinds of Styles Packs inspired by different looks, from cinema and film to the great outdoors.

Like that analog feel? Try to add Grain and experiment with different types, impact and granularity.

This is another example of using the Mask tool in Layers. Creating extra contrast and toning down the lazy clouds and crispy snow makes all the difference. You can add several layers to take control of every little part of the image, and you can also change the opacity in order to change the layer’s impact in the image.

For new photographers, my main photo editing tip is to have fun, play around, drink coffee, watch a tutorial and dare to try out your own crazy ideas; do a clean version and then a messed up, raw and grainy one. Just test anything out and play the day away – or see if you can replicate the look of something in a magazine.

If you don’t already have Capture One, download a 30 day trial and try it out.

Eager to learn? Access webinars, tutorials and expert help in the Learning Hub – completely free.

Sign up for the webinar