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Sessions 101: Discussing the concept

NOTE: This article discusses an outdated version of Capture One. To learn more about our latest version, click here.

The “Session” is a classic and powerful workflow construct of Capture One Pro. It’s still THE go-to workflow used by nearly all production, studio and commissioned photographers. It’s a HUGE feature, interconnected with several other tools in several layers and immensely powerful when leveraged properly. This is especially the case in a tethered workflow. We’ll see later how Sessions were born for this exact concept.

In this 3-part series on Sessions we’ll start with one for new users. In this post we’ll discuss the concept, and build up to how to use it like a professional in the studio. If Catalogs isn’t really the way you like to work, or you’re looking to get started in the professional studio industry, this guide might just be for you.

If you’re already familiar with the basics of this field, you might want to skip this versions and jump directly to Sessions 102: Power Users or 103: Expert Knowledge)Shooting tethered with Capture One Pro

What is a Session?

The main differences between a Catalog and a Session boil down to the “file life cycle” (the movement/storage of files) within the working project. This also includes the data structure for edits done behind the scenes – and (more or less) how this lets you interact with images in relation to the file system. More on that later.

The Session was born out of the first tethered camera implementations. When Phase One made the first “one-shot” CCD backs (i.e. not a scanning back) in the late 90’s they had no storage on board and could only be tethered. The files were delivered to the computer directly. The immediate question then is, where should the files be put?

Forget for a minute anything about Sessions and lets break down some simple ideas within the problem above.

First, there’s this data in/data out issue. If I create a series of files, it makes sense to organize it by making a folder for them. But this is a RAW converter and I’ll be processing JPEGs and tiffs out, so I need a folder for those files too.

Those folders and all the other assets should probably be in a sort of overall “top” project folder to keep things logical.

I’ll probably also want to move stuff around and delete some stuff. However, it’s best if it’s all relative to the project so nothing wanders off to system trash or moves to the wrong place. Therefore, I’ll make a few temporary folders for storing rejects and picks.

Folder workflow

So, now I have my project folder, a folder for RAW files from the camera, and an output folder for the processing a local trash folder and a selects folder for any keepers.

I now connect the camera to the software for tethered shooting (“transfer of files to the machine via cable” immediately). But computers are dumb, so I have to tell the machine where the files that the camera produces should end up. In Capture One I find the folder I made earlier for storing RAW images for the job, then right click on it and “set as Capture folder”. Now, the computer knows where to put the images. I need to do the same for the processed folder (where all the conversions are kept). So, again I go to the folder browser and find my folder – right click, set as output. Now, when I process images, they go there. Same for the local trash and selects.

In a way, I’ve now made a very simple in/out file workflow. I’m working on a kind of “files and folders” parity within the app interface, almost as manipulating the Finder/Explorer file system directly.

Finder with homemade parent folder + subfolders

Stop: Session time

This is fantastically simple. Except that now I have another job for today. I have to make sure to correctly reset all the naming, and create the folder structure again. Obviously, I don’t want Susan from Agency A to see work from yesterday for Stuart at Agency B.

The session concept solves this by taking all the above and turn it into a reusable and compartmentalised template for the above workflow points.

When you create a new Session (File>New Session), it creates a “top” folder containing four other folders. These folders are automatically assigned the tasks for the photographer:

  • Captures (destination folder for tethered)
  • Selects (a folder you can move assets to, if deemed important)
  • Output (assigned as the destination for all processing)
  • Session Trash (a place to store deleted files for the session)

Alongside, this folder structure is a .cosessionDB file. This is used for caching and tracking file movements done in Capture One and enabling concepts like search. This we will cover in part three: Advance Use of Sessions.

Capture One session: Folders in library

Now, all I have to do is Capture (file in), and Process (file out). For the most part, simple jobs can be managed with little overhead or input from the photographer.

Geeky stuff

The last piece of the puzzle with understanding sessions is the behind the scenes mechanics of storage of settings, and cache for the images.

In a Catalog, these are stored and indexed inside one big database object for everything. Also, for images to be viewable they typically have to first go through a “gatekeeper” process – the Importer. This model has advantages for search and large collections where an overview or collections with many events is required. The centralised cache design should give better performance on networks.

Sessions though, store cache and settings locally – within in a sub folder of the RAW files folder.

Capture One subfolder

The Library tool in Session mode is a file/folder browser and doesn’t require the importer to view images. A simple click on a folder of RAW files in the library is enough to trigger generation of cache. Settings and images will start to load immediately. Once created, these are used again next time you revisit the folder. Any further changes/edits made in Capture One are written to the settings files, which are the user’s effective stored adjustments. Note, each image has its own settings file, so this redundancy and modular design makes it easy to work with distribute and backup.  As long as you have a folder of images with the settings, you can view this on any machine – even without the accompanying session database.

As in the opening chapter, this is the main difference between Catalogs and Sessions – this direct ability to interface into a file system contents via the library tool, and no importing required.

Sessions 102: Power User

The second tip discusses how to expand the Sessions workflow with multiple directories for bigger projects. Read it here.

Please leave a comment if there’s a topic within the Session workflow that you would like to know more about.

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Capture One Pro 10: All New Features Review

Recently, Capture One released Capture One Pro 10 with a bunch of surprising features.

Starting from version 6, Capture One boarded a high-speed train rolling out breakthrough editing tools with every new release. This year, developers decided to enhance some features which were missed in previous updates.

Capture One 10 brings completely new image sharpening, amazing output proofing, snappier performance and a mass of other useful improvements. Let’s find out what the new version can do to boost our workflows.

Main features

Output Proofing

Output Proofing, the first novelty of Capture One 10, is dedicated to showing you how exactly the RAW-file would look after the processing.

When you are working with RAW, there are many options to convert it to the final JPG or TIFF. For different purposes, you may need a particular color profile, size or sharpening settings.

Previously, at times it was quite difficult to predict the final image’s look. Now, you can turn on Output Proofing and you would immediately see the prepared image with applied preferences from the selected recipe.

Output Proofing is especially useful when you’re processing images for web.

“Proofing” sign shows that Output Proofing is turned on and you see the image with applied settings from selected recipe.

With Output Proofing, you can set the best Sharpening for your image depending on processing size. Hence, Proofing allows you to check your image to look good with selected color profile. You can even simulate JPEG compression artifacts.

New sharpening

Capture One 10 brings entirely new sharpening workflow called “3-phase sharpening”. Now, you can separately apply sharpening settings to three different editing stages:

  • Input sharpening

A sharpening process starts with “Diffraction correction” check box in Lens tool. That feature automatically corrects basic problems with sharpness related to your lens.

Before imageAfter image

  • Creative sharpening

At this stage, you can manually add sharpness to your image, as it was in previous versions of Capture One. At the same time, Sharpening Tool has got two handy improvements in Capture One 10:

1. There is a new Halo Suppression slider to remove specific «halo» effect, which often appears during sharpening.

Before imageAfter image

Above: Image before and after Halo Suppression

2. All the sharpening sliders are now able to work in layers. That means you can locally apply various sharpening settings to different parts of the image.

  • Output sharpening

Furthermore, you can now adjust sharpening right in recipe’s settings for different purposes. For example, it allows you to set specific sharpness for web and print recipes.

Output Proofing will show you how it looks on the final image. For prints you can also specify the distance you want to view the image from.

New sharpening and Output Proofing allows you to prepare the image for web or print in all the details.

Improved performance for faster viewing experience

With almost every new Capture One release, developers continue to increase app’s speed and stability. This year, they focused on refining viewing and working with images’ performance.
As a result, caching speed, drawing latency and framerates for adjustments were significantly improved. It’s quite difficult to measure, but try to work with layers in Capture One 10, and you’ll immediately notice the performance boost.

By the way, make sure to upgrade your RAW files engine to the 10th version to get all the features of Capture One 10.

Camera Focus tool

The tethered shooting was always one of the main features of Capture One, and in the 10-th version, it has got a new Camera Focus tool.

The new tool allows you to automatically and manually adjust focus during the shooting. And the best news is that Camera Focus tool works with Sony, Nikon, and Canon cameras as well as with Phase One IQ/XF.

Due to some hardware specifics, Camera Focus tool with Nikon and Canon cameras work in Live View mode only. It’s also worth to point out that the Auto Focus indicator isn’t available with Canon cameras and Manual Focus Adjustment Buttons – with Sony cameras.

Even with these restrictions, it’s a great tool for interior, food and product photographers.

Tangent devices support

Another significant update is Tangent hardware support. All the previous versions miss support for editing devices, which professional retouchers often use.

You can now connect Tangent devices with Capture One and gain an amazing analog control over color correction and processing.

Other improvements

Compressed RAW Support

In previous versions, some useful features like Lens Correction, Chromatic Aberration Analysis and LCC weren’t available for compressed RAW files.

However, all these tools now work great with Canon mRAW/sRAW and Nikon RAW M (and RAW S for D5 and D500).

Auto Masking

There is good news for Fuji camera owners as well: Auto Masking has been updated to support any editable file type, including Xtrans.

Filter for orientation of images

One more annoying issue of previous releases was fixed, and now you can filter images by orientation: landscape, portrait, and square. Note that the filter considers applied crop.

Move folders in Catalogs

Talking about small, but useful improvements:  In Capture One 10 you’re now able to move folders inside Catalog’s “Folders”, and they will also move on your hard drive.

Consequently, if you wish to relocate the folder with your images, you can just drag it to a new place in Capture One, and it will automatically move on your HDD as well.

New workspaces

In Capture One 10, the default workspace is updated; Now, the browser is on the right side of the screen, and Composition tab tools are merged into the Lens tab. Developers have also added the new “Migration” workspace that provides more familiar UI for former Lightroom users.

At any moment you can switch to the classical Capture One 9 workspace or fully customize the workspace to your personal preferences.

Here is a video to show you how it works:

More Apple Script properties

Apple Script is one of the most underestimated features by Capture One users. It allows you to create an action sequence which is performed automatically as you run the script.

With previous releases, Phase One significantly expanded the amount of Capture One properties to work with Apple Script.

In the new version, they also have added some new features. Now, you can use commands to Pack/Unpack EIP, sync metadata and select variants; You can target Exif properties (R/O) and IPTC (R/W) fields using scripting for metadata change.

Optimization in Capture One 10

  • JPEG creation algorithms are optimized to provide the best quality at the smallest possible size.
  • LCC speed generation is increased by 20%.
  • OpenCL, graphics acceleration technology, is now enabled by default in Capture One settings.

New Cameras Support

• Sony a99 M2 support
• Sony RX100M5 support
• Sony a6500 support
• Sony a3500 support
• Olympus E-M1 mkll Support

New Lenses Support

• Mamiya Sekor Fisheye ULD C 24mm 1:4
• Sony 70-200mm F2.8 G (SAL70200G)
• Sony FE 70-200mm F4 G OSS
• Sony E 18–200mm F3.5-6.3 OSS
• Sony E PZ 18-105mm F4 G OSS (SELP18105G)
• Sony E 55-210mm F4.5-6.3 OSS (SEL55210)
• Sony E 10-18mm F4 OSS (SEL1018)
• Sony E 20mm F2.8 (SEL20F28)
• Zeiss Vario-Tessar T* E 16-70 mm F4 ZA OSS (SEL1670Z)
• Zeiss Sonnar T* FE 55 mm F1.8 ZA (SEL55F18Z)
• Sony DT 50mm F1.8 SAM (SAL50F18)
• Sony DT 35mm F1.8 SAM (SAL35F18)
• Sony DT 30mm F2.8 Macro SAM (SAL30M28)
• Sony 16mm F2.8 Fisheye (SAL16F28)
• Olympus M.ZUIKO DIGITAL ED 25mm f/1.2 PRO
• Olympus M.ZUIKO DIGITAL ED 12-100mm f/4 IS PRO
• Olympus M.ZUIKO DIGITAL ED 40-150mm 1:4.0-5.6 R

That was my tips for Capture One Pro 10. Feel free to leave a comment or a question.

Best regards,

Alexander Svet

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2016 Review: Top 5 Capture One Pro Tips

A great Capture One year is about to come to an end, and we’re celebrating it by dedicating 2016’s absolutely last post to no less than the best posts of the year.

Lean back and go through an overview of 2016’s Top 5 Tips with us – maybe you missed it the first time?

(Ordered by date)

1) 5 easy steps to save your low contrast images

– By The Image Quality Professor

Whether it is a grey and rainy day or a day with lots of scattering light that makes an image appear with low contrast, you can easily fix the problem with the histogram and the Levels sliders in the Levels tool.

Before imageAfter image

Image straight out of the camera and image after being optimized in Capture One Pro.

Pictures with low contrast hardly ever look interesting.  Even if an image was shot in very low contrast, you should still try to use a full range of tones in the image.

Read The Image Quality Professor’s 5 simple steps

2) Top 10 reasons to switch to Capture One Pro, Part 1

Top 10 reasons to switch to Capture One Pro, Part 1

– By Alexander Svet

In this article, I’ll show you my reasons for my choosing Capture One Pro after almost a 10-years of using different RAW-converters. If you’re totally fine with your converter of choice – well, good for you. Though, if you feel that there is something missing, that some guys should really find a better way to deal with RAW formats; If you’re looking for something more – this article will help you find it.

Discover 5 of the reasons in Part 1

Psst: To get to know the remaining 5 reasons, check out Top 10 reasons to switch to Capture One Pro, Part 2

3) Second to None color with Pratik Naik

Personally, Pratik prefers to use Capture One Pro for his RAW processing. His explanation is that it contains reliable tools that offer richer colors, compared to all other RAW converters on the market.

Watch his video about Capture One Pro to learn why he thinks this is so essential to your photography:

Visit the full post to watch the BTS-video from Pratik Naik’s and Jonas Jensen’s shoot with the Phase One XF 100MP camera system.

4) 5 fundamental features in Capture One Pro

5 fundamental features in Capture One Pro

– By Baber Afzal

Capture One Pro forms the backbone of my images, especially when it comes to creating fine art images.

The 5-step workflow presented in this post will give you an understanding of why I prefer Capture One as a RAW converter, compared to the rest.

 

We can reveal that the first step is ‘Creating Sessions & Importing Images’. Read the full post to get to know the rest of the workflow.

5) Jumping ship to Capture One Pro from Lightroom

Jumping ship to Capture One Pro from Lightroom

– By Martin Bailey

I started using Lightroom back in 2006, during the initial beta phase, and I’d been a loyal Lightroom user since. So, this may come as a shock to people that know me. I can already hear you Capture One users chuckling to yourselves, not so surprised that I’ve finally decided to make this change.

If you want an application that works exactly the same as Lightroom, then you’d better stay with Lightroom. This is why I stayed with Lightroom for such a long time. However, if you want the ultimate image quality, and you are willing to make changes to your workflow, I personally think it’s worth the change.

Click here to read about the switch and why Martin thinks Capture One equals ‘ultimate image quality’.

Psst: If you’re immigrating from Aperture, Jordan Bush offers a comprehensive guide for you: Switching to Capture One Pro from Aperture – Photography Workflow.

 

As a small gift, we’ve decided to provide you with an extra essential tip; Check out our new Capture One Pro 10 highlight – Proofing.

6) Control your output in Capture One Pro 10

Control your output in Capture One Pro 10

– By The Image Quality Professor

Capture One Pro 10 now provides a whole new way of proofing the quality of your output. Until now, you have only been able to validate colors or zoom in and out of the image to see the quality of the file as it will appear if processed with no scaling changes.

Today’s cameras offer very high resolution. Therefore, exporting your file at maximum resolution is often unnecessary. You may want to deliver smaller JPEG files to your client for selection, or simply export images for your website.

However, how do you insure your processed images have the right amount of sharpening, film grain or JPEG compression? With Recipe Proofing, new in Capture One 10, you can now view the image exactly as it will be processed, according to the selected Process Recipe.

Click here to read how The Image Quality Professor benefits from the new Output Proofing.

 

That was it for 2016. Feel free to leave a comment and share which article has been your favorite this year.

Happy New Year,

The Capture One Team

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