Author: Capture One

Three Black photographers who explore the world through color

There is a reason we don’t see the world in black and white. Colors are an integral part of how we experience life and how we communicate. For a photographer, colors are another tool to set a mood and help tell a story, and getting them right can make or break an image. In celebration of Black History Month and the role color plays in our lives, we spoke to three photographers, who are all part of the Black Woman Photographers collective, about their work and how they explore their subject matters with color. Daniella Almona For a photographer, understanding color is just as important as understanding composition and angles. At least to Lagos-born, Atlanta-based photographer Daniella Almona. With her portraits, she works to highlight blackness in all forms and plays with highly saturated colors in backdrops, props, clothes, and make-up to bring out her subjects’ features. With lush reds, warm oranges, and velvety blues drawing the viewer into the frame, she elicits emotion in both her subjects and audience. “The way colors interact with …

Life lessons from a pro: Joe McNally on capturing his imagination

Joe McNally has seen it all. Known for his technical skills and vast storytelling experience from shooting for the likes of LIFE, National Geographic, and Adidas, McNally has worked in over 70 countries on both journalistic and commercial assignments. In his new book, “The Real Deal: Field Notes from the Life of a Working Photographer”, he looks back at the past 40 years of his work and the stories, skills, and observations to come out of it. We talked to McNally about his book, how he ended up where he is today, the experiences and lessons he has gained along the way, and that time he brought a cow into the kitchen. Where did the idea for the book come from? There are many photographic books in the marketplace that show you the f-stop, the shutter speed, where to put the light, where to put the camera, it’s basically a blueprint for producing X type of result. This book is not that. The motivation for the book stems from being a photographer for a very …

Off the leash: how to get more freedom with wireless tethering

Shooting tethered no longer means being confined to a set radius. With the emergence of wireless tethering, both studio and on-location photographers can now be closer to the action while maintaining a smooth workflow and close collaboration with clients and colleagues. What is Tethered Shooting? Shooting tethered is simply shooting with your camera connected to your computer so that the images taken are quickly imported into the editing software, where they are displayed in real-time. While shooting tethered, the photographer can change exposure, trigger, and compose through LiveView. This provides an environment for the photographer, a creative team, the subject, or the client to have great control over the output by seeing the images on a large screen and adjusting the shoot parameters on the fly. Many photographers work with tethered shooting as it also allows them to instantly organize their images and apply styles or sets of adjustments to better show a client a closer-to-finished result. Traditional tethering is done via USB cable between the camera and computer, and as a good quality cable …

Five unexpected ways to use Panorama Stitch from Capture One experts

Capture One just introduced a Panorama Stitch feature in the recent launch of Capture One 22. The new feature allows photographers to stitch several RAW images into a large panorama and opens the door to new possibilities. We asked our in-house experts how they use the feature to create striking images and go beyond the traditional panoramic look. How to use Panoramic Stitch to create super high resolution for large prints   “I’m constantly drawn to large minimalistic scenes that will calm the mind. The scenes I photograph are for large printing, creating a window into another reality captured in time,” says Capture One Senior Product Manager and photographer, Stefan Hellberg. “To do this there needs to be a lot of information and resolution to work with and a clean image without distortion.” “I’m often travelling light and do not want to let gear get in the way of work. At the moment of this photograph, I had one 63mm lens for my Fuji GFX camera with me. Because of the surrounding area, the scene …