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Workspace: Wedding

My wedding workflow is all about fine-tuning individual images and copying adjustments across many images. Capture One Pro offers the full range of tools in the default workspace, which can be overwhelming. Removing unwanted tools from the workspace helps ease the eye and strengthen focus. Re-designing the interface and assigning custom keyboard shortcuts also have their benefits.

Tools

  1.  The first thing I would remove for a wedding workspace is the Capture Tab. You don’t shoot tethered, so why have it take up space? Right Click > Remove Capture Tab.
  2.  Remove histogram from Exposure tab. It’s already present in Color Tab, and I don’t need it both places. In fact, clean up by removing all tools you don’t expect to use. For e.g. LCC Tool.
  3.  Move White Balance from Color Tab to Exposure Tab. I use that along with the other exposure tools all the time in wedding editing.
  4.  Create a custom tool tab; right click a tool tab > Add Tool Tab > Custom Tool Tab. Fill this up with three Color Balance Tools, allowing you to have Shadow, Midtone and Highlight open at the same time. Remove the original Color Balance Tool from Color Tab.

Keyboard shortcuts

My single most used custom keyboard shortcut is for the viewer:

Cmd + 1: Toggle Proof Margin – I often like to have some space around my image. I have changed this to 70 pixels in the Preferences.

The rest are memorized default shortcuts, mostly for cursor tools and copy/apply. 

Interface

Hiding viewer labels and the viewer toolbar quickly cleans up the workspace. In fact, I also hide the general Toolbar as well as Browser Toolbar (remember to memorize keyboard shortcuts, otherwise this might be tricky). The browser is to the right. All of this is done from ‘View’.

I also change the viewer background to white. Having to evaluate exposure on many shots for a bright white dress needs a good reference when editing, and a pure white background with a proof margin simply works wonders. All this leaves me with a clean, effective workspace with plenty of room for the image in focus and relevant tools at hand.

Read more about a full wedding workflow in this blogpost.

Download my Workspace

Mac:

Download my workspace for Mac here.

Installation guide for Mac:

  • Close Capture One Pro (if open)
  • Open Finder
  • Open the ‘Go to Folder…’ dialog (CMD + Shift + G)
  • Insert path: ~/Library/Application Support/Capture One/
  • Click ‘Go’
    • If you previously have created a custom workspace, go to ‘Workspaces’ folder.
    • If not, create a new folder and name it ‘Workspaces’.
  • Copy workspace file (.plist) to this folder
  • Start Capture One Pro
  • Select the new workspace from Window -> Workspace…
Windows: 

Download my workspace for Windows here.

Installation guide for Windows:

  • Close Capture One Pro (if open)
  • Open Explorer
  • Go to /*user*/AppData/Local/CaptureOne/
    • If you previously have created a custom workspace, go to ‘Workspaces’ folder.
    • If not, create a new folder and name it ‘Workspaces’.
  • Copy workspace file (.xml) to this folder
  • Start Capture One Pro
  • Select the new workspace from Window -> Workspace…

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Workspace: Portrait

I have always photographed a lot of people, and usually tethered to the computer. My workflow revolves around setting up quickly for tethered shooting, and then afterwards rating and color grading.

By default, Capture One Pro is set up so the most commonly used tools are visible. When you get deeper into Capture One Pro, you’ll start to realize that there are some tools you never use, or at least very rarely use. Those unused tools are then simply clutter in the interface.

Capture One Pro is highly customizable when it comes to the user-interface. And when it comes to editing your images, there are usually several ways to approach the same result. When you know which tools you use most, all others can potentially be removed.

I have customized my own workspace, as you can see in the screenshot below. The keen eye will notice that the top tool bar has been modified quite a bit. I have also added another Tool Tab, using the Quick Tool Tab icon for easy recognition

Top Toolbar

I added the Focus Mask, Copy/Apply Adjustments, and Preferences, and reorganized to suit my needs. I am a big fan of the Focus Mask, which is a deeply integrated part of my rating workflow.

The double arrow Copy/Apply Adjustments makes the Copy/Apply even faster, as it does both operations at the same time. Using the Shift-key will apply all copied settings immediately.

The Preferences tool is there to allow easy accessible adjustments of the threshold for the Focus Mask. Noise and pixel-count varies with different cameras and different ISO-sensitivities, and that affects the Focus Mask, if not adjusted for with the Threshold.

Quick Tool Tab

I added a new Tool Tab to contain my most frequently used tools. Let’s go over why I added those particular tools, one by one:

Output Histogram: I use the Histogram to check general exposure and to keep highlights in the skin under control. When grading the image, the exposure can also be helpful to ensure a balanced adjustment. Sometimes I find myself lost after hours of looking at pictures and trying to find a nice look for each of them. In Capture One Pro there are many histograms, but this Histogram shows the final result.

White Balance: I use the White Balance tool as a first and basic grading tool. I push the images in the general direction I want.

Exposure: I use the four sliders to dial the rough tonal look of the image. Recently I have started using Brightness more. The underlying algorithm was changed in version 9, and gives a very nice creamy look when combined with matching underexposure.

High Dynamic Range: Sometimes the Exposure tool-changes can add a little too much shadow or highlight to the images. With this tool, I can recover what was lost, which basically limits my contrast changes to the wide midtones.

Clarity: I use the Clarity tool for one of two things in an image containing skin. Either a smoothing effect or as a micro-contrast enhancer. When smoothing, I use negative values, which gives the skin a much smoother look requiring less retouch afterward. However, the loss of contrast can be too much. On beauty shots, I tend to use positive values. That causes the skin to have more local contrast and enhances the lines of the face. It does inherently make the skin a bit rougher, so techniques such as Dodge and Burn are needed to complete the look.

Color Editor: If I have localized colors I want to change, I use the Color Editor. Depending on what tab you are working in, it provides very fine and precise control over a given color.

Setting up the general appearance

I always set my background to medium grey or even a tad lighter when adjusting images. While a black background makes the interface a bit easier on the eyes for long durations, you tend to edit low key images to dark, if the Viewer is also very dark, and vice versa of course.

I also change my Selection and Mask Color away from the default. My selection square (Selected Variant Color) in the Browser is a nice Phase One blue-ish. I like shooting high-key images, and thus the white selection border can be quite confusing, as you can have trouble seeing it.

I’ve changed the Mask Color away from a usual skin-tone (like red or yellow) to a contrasting color to more easily see where I am drawing a mask. This especially useful around lips or reddish skin.

Session Templates

Lastly, I want to show what I do in the studio when starting a new session for a particular shoot. I have always used Sessions, as it fits nicely with my job-to-job workflow. Typically, I just put the Session and its images on the backup when delivered, and then forget about them.

Capture One Pro can use templates for easy setup of things like Next Capture Naming. I use a template that, among other things, configures my Session to use the Session Name and a 4-digit counter. I find repetitive work demoralizing, so using the Session Templates helps me focus on being creative on set, and not stuck with tedious, repetitive tasks.

When you want to save a Template, simply configure a Session as you want it, and then go File > Save as Template.

When creating a new Session, just select the Template from the dropdown.

Rating

Lastly I want to give an insight into my rating-workflow. I usually have hundreds, and sometimes even thousands of pictures after a day’s shoot. There are of course the usual dividers such as different looks, clothing, light setups and such; but choosing a single image out 50-80 pictures is a daunting task.

I use multiple iterations of rating, and iteration has a different theme, so that fewer and fewer images are left to choose from. I use the Filters tool to only show me the images I want.

Initial rating between 1 and 2 stars: For the first iteration, my only concern is the model’s facial expression. I spend no more than half a second looking at each, and if I don’t like it within that half a second, it gets a 1 star rating. If I do like it, it gets a 2-star rating.

Rating for 3 stars: This iteration is always camera focus. I use the Focus Mask to establish if the image in sharp enough for the client, and that focus is in the right place. If it is, it gets a 3-star rating, the un-sharp images are left untouched.

Rating for 4 stars: For this iteration, I take a deeper look at the image. I look at things like pose, composition, lighting etc. The ones that are good enough get 4 stars, other are left untouched. At this point I usually send a Web Contact sheet to the client, asking them to choose what pictures they want. I can have peace of mind knowing that whatever they choose is sharp and works in terms of pose and light.

Rating for 5 stars: For this iteration, I enter the selects from the client into Capture One Pro. There is no need to manually find the images one by one in the Browser, as Capture One Pro has a tool for auto-selection from a text list. You can find that in Edit > Select By > Filename List.

This flow does take a bit of time; however, you have a rating history and can easily select more images for the client from the 3 star rated images without having to redo your rating. It also makes it easy to find images you might have overlooked in your first iteration, as those will have no star rating.

I hope this blog inspires you on ways to customize Capture One Pro specifically to your needs.

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Workspace: Landscape

Like any successful craftsman, your workbench needs to be large enough to accommodate the job. Your tools must be organized, within reach, and its organization should make sense to you – no matter what suggestions others make. Photography is a craft and Capture One Pro provides you the ability to customize your workspace to fit your needs specifically, allowing you to focus on the craft of creativity.

For me and my workflow, screen space and editing time are finite commodities. Capture One Pro allows me to quickly obtain as much space as possible and work quickly without distractions or redundancies. All necessary to get the job done the right way.

Flexibility

First and foremost, Capture One Pro gives me the ability to remove the clutter. By default, you get access to EVERY tool, and that can be overwhelming. With the flexibility to remove the tools I’ll never use, I keep a clean workspace that provides me an efficient workflow. For example, in my workflow there’s absolutely no need for the entire Camera Tool tab. Tethering is indeed a major strength of Capture One, but when shooting landscapes, I run without a wire and import from the CF card after the shoot.

Efficiency

With the tools removed that aren’t relevant to my workflow, I have more space to customize the locations of the tools I do use. This provides me the ability to build an efficient workflow with as few mouse clicks or hand swaps (taking a hand off the keyboard in favor of the mouse) as possible. For example, adding the Color Balance tool to its own Tool Tab three times, gives me the ability to balance all three channels quickly and easily. Also, small changes like adding the Levels Tool twice –  once for RGB and once for Luma – helps to balance the two quickly without flicking back/forth.

Accuracy

The flexibility to adjust the Capture One Pro workspace gives me the freedom to build an efficient workflow tailored to my needs. The last trick Capture One Pro has to offer my “workbench” is the ability to change the color/look of the software and viewer. When I hide the tools and browser (2 quick shortcuts) I’m left with a large viewer that I can define the color of. Having images on a black background may look cool, but it’s a terrible reference for accurate color and density. Changing the background color of the viewer to white ensures my images are well balanced and any color variations stand out clearly.

Download my Mac Workspace

Mac:

Download the workspace for Mac here.

It only works on Mac, as workspace files are platform dependent. To install it, follow these simple steps:

  • Close Capture One Pro (if open)
  • Open Finder
  • Open the ‘Go to Folder…’ dialog (CMD + Shift + G)
  • Insert path: ~/Library/Application Support/Capture One/
  • Click ‘Go’
    • If you previously have created a custom workspace, go to ‘Workspaces’ folder.
    • If not, create a new folder and name it ‘Workspaces’.
  • Copy workspace file (.plist) to this folder
  • Start Capture One Pro
  • Select the new workspace from Window -> Workspace…
Windows:

Download the workspace for Windows here.

To install it, follow these simple steps:

  • Close Capture One Pro (if open)
  • Open Explorer
  • Go to /*user*/AppData/Local/CaptureOne/
    • If you previously have created a custom workspace, go to ‘Workspaces’ folder.
    • If not, create a new folder and name it ‘Workspaces’.
  • Copy workspace file (.xml) to this folder
  • Start Capture One Pro
  • Select the new workspace from Window -> Workspace…

That’s it for now. Please let me know if you have any questions or comments.

Best regards,

Drew Altdoerffer

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capture one pro raw image editor wedding couple seated in a grand ballroom with chandaleiers reflected in mirrors

Smart Wedding Photography Workflow in Capture One Pro

NOTE: This article discusses an outdated version of Capture One. To learn more about our latest version, click here.

You have just been out shooting for eleven hours and filled up a couple of cards with hundreds and hundreds of wedding images. Everything from preparation to midnight snacks is captured. Now it’s time to import, select, edit, finalize and deliver your stunning images in different subfolders for the convenience of your customers.

How do you approach this huge task? I will show you my typical workflow for this. Photographers are different and I don’t expect everyone to work like me. I simply hope you can take home at least one tip from reading this blogpost that will improve your workflow.

Session-based workflow

Personally, I like to create a new Session for every wedding I shoot. This way I have complete control of my images and I can utilize the benefits of the Session structure. I have a physical folder for all the RAW images and I can split them up into virtual Albums within the Session – without moving the files physically.

So, how does this work?

Recommended: To take full advantage of James Johnson’s expertize on Sessions in Capture One, we highly encourage reading one or more of his related blog posts:

Step 1 – Creating and setting up a session for weddings

Open Capture One and go to File > New Session. A dialog appears where you can select the location of your session among other options. I name my wedding Sessions corresponding to the names of the couple, for example,  ‘Angelica&James’ (the Session name is important when using Tokens later in the workflow). I have my wedding Sessions sorted by year and month, so the location would be something like ‘…/Images/Weddings/2017/February/’. Great, now hit OK!

Assuming you want to split up your images into virtual Albums within the Session – this could be ‘Preparation’, ‘Ceremony’ etc. – you need to create those under ‘Session Albums’. Click the small plus-icon and select ‘Album’. I usually create the following, which corresponds to a typical Danish wedding:

  • Preparations
  • Ceremony
  • Reception
  • Portraits
  • Dinner

You can always add, change, and remove Session Albums as you see fit. Remember, Session Albums are ‘virtual Albums’, meaning that they are only visible from within your Session, and images can be in multiple Albums at the same time. I simply use Albums to navigate my images more easily than browsing through an enormous batch of images. Using Session Albums will also help you when exporting your images using Tokens – we will get back to that later.

Step 2 – Importing and sorting your images

Now it’s time to plug in your memory cards and transfer the images into your Session. Depending on your settings, an Import dialog might show up when inserting the memory card. If not, hit the ‘Import images’ icon in the top left, or choose File > Import.

Import from

This is the location you are importing from. Choose the folder containing your images and click ‘Open’. If the import dialog automatically popped up when you insterted your memory card, the correct folder should already be chosen.

Import to

I like to use ‘Capture Folder’ as Destination for wedding Sessions. This way all my images are in one logical location.

Backup to

Here you can copy your images to a second destination for backup. I do manual backup via a NAS server, so I don’t use this feature.

Naming

Remember in step 1 that I mentioned Tokens? Now’s the time to use these. Click the button next to Format to open the Naming Format dialog. Under Group, open the drop-down menu and select ‘General’. Now you have a selection of general Tokens available. Double click ‘Document Name’, which will then show up in the ‘Format’ field (Document is a shared term for a Session or a Catalog). Click in the Format field after the Token to manually input an underscore, ‘_’, to separate it from the next Token, which will be a counter. Click the small arrow in the ‘1 Digit Counter’ to change it to ‘3 Digit Counter’ and then double click that Token. You now have a fully functional Naming Format, utilizing Tokens.

Setting Naming Format

Metadata

Fill in Copyright and Description if needed.

Adjustments

I usually never do any adjustments to my images during import, so leave this as default.

Now click ‘Import All Images’. Repeat for all your memory cards. 

Pro-tip: If you’re shooting with more than one camera, make sure your cameras’ clocks are synchronized, even in seconds. This way, after you have imported all images, you can sort by ‘Date’ for then to batch rename (select all images, right click > Batch Rename) and use the Naming Format with Tokens to rename your images chronologically across all cameras.

Remember the Session Albums from the beginning? On to those! While in your Capture Folder showing all your images, select the ones shot during preparations. Hold down Shift to select multiple images. Now drag those images on top of the ‘Preparations’ Album to the left. They will now appear within that Session Album while physically still be in your Capture Folder. Repeat for the rest of the images, cleverly dividing all your images into smaller chunks.

Step 3 – Selecting the good stuff

On to finding the nuggets among your pile of RAW images! Go through each Session Album and star rate your images using the keyboard. Many photographers I know rate their images in two or three rounds, effectively giving higher and higher ratings for the good ones in each round. Personally, I find this way too time consuming for wedding photography. I have one rating I use, 5 stars. This rating is given to any image that might be good enough to deliver to the customer. My reason for doing this – and not multiple rounds of selecting – comes down to two aspects: 1; it’s faster, and 2; sometimes I find it hard to discard images without evaluating them with a specific color grading or handful of adjustments. Effectively, I usually end up with ~80-90% of my initial selects.

When all images in every Session Album have been evaluated, you can utilize the built-in Smart Album called ‘Five Stars’. Smart Albums are dynamic albums which populate according to certain criteria for the album; the built-in Five Stars album includes every 5-star rated image in the Session. Therefore, changing the rating of an image within the ‘Five Stars’ Smart Album with anything other than five stars will remove the image from the Smart Album – but the image will remain in its respective Session Album. This way I can quickly discard images that don’t meet my standards of final delivery.

Photographers are different in their way of working, and selecting through many images can be done in numerous ways within Capture One Pro. This is just one of them. Read the Sessions 103 Blogpost for more inspiration on how to effectively do selects.

Step 4 – Copying the first touch

My wedding editing workflow is equal amounts of conveyor belt work and individual fine tuning. I want my images to have the same feel to them while making every single one of them shine to stand alone if needed. This workflow requires a good knowledge of how to copy and apply settings from image to image. But first; we need something to copy!

From within the Five Stars album, start with one of the first images. I usually add some contrast, desaturate slightly and play with Color Balance for my initial look. Color grading with the Color Balance tool is a quick and easy way of giving your images an interesting look. This part is very subjective, as every photographer has their style.

When you’re satisfied with the look of your first image (you can always do more adjustments later), it’s now time to transfer the adjustments to more images. There are several ways to do this in Capture One. One way is to click the Up-arrow in the top right corner to copy all adjustments from your selected image (shortcut: Ctrl/cmd + shift + c). Now you can select the next image and click the Down-arrow to apply the adjustments (shortcut: Ctrl/cmd + shift + v). But whoops, Capture One copied everything, including the crop you might have made for the image before. Undo! Ctrl / Cmd + Z!

So now the question is: How do you avoid copying the crop or other specific elements of your adjustments?

And the answer: Enter the Clipboard tool tab!

Step 5 – Controlled, lightning fast copying

The Clipboard tool tab allows you to see which tools have been copied to the clipboard. This is the place where you can deselect the tools you don’t want applied. For example, after copying your adjustments from one image, deselecting the Composition part of the clipboard will avoid any changes in those tools when applying.

Now it’s time to apply it to multiple images at a time. This is simply done by selecting multiple images and making sure ‘Edit > Edit All Selected Variants’ is ticked.

This sort of mass copy/apply method is best for images with a similar raw look. What if you want to be even more specific in what you copy? Let’s say you only want to copy Color Balance adjustments. Not to worry, you don’t have to deselect everything from the clipboard.

Every tool in Capture One has a copy/apply function built into the interface – a small double-sided arrow. I often use this to copy and apply adjustments from a single tool, and only that tool, onto multiple images in a matter of seconds. This is done by first selecting all the images you want to adjust, plus the ‘donor’ image i.e. the image with adjustments you want to copy from. The ‘donor’ image (or Primary variant in Capture One speak) should be the one with the border around it. Next, hold down the Shift key, and click on the (very small) double sided arrow on the required tool. Now your adjustments from that single tool are copied and applied to the rest of your selection.

Copying Color Balance from one image

Images after applying Color Balance

This effectively means that you can tweak and adjust all your images with individual contrast, crops, exposure, white balance, etc. for then to apply a specific Color Balance (or another tool) across all images in a matter of seconds. Without affecting other tools.

Using these two methods of copying and applying adjustments across images, I find myself switching back and forth between large selections of images, copying and applying adjustments to eventually have hundreds of images tweaked to my liking with a similar feel to them. With some practice and use of keyboard shortcuts, you can speed up your process tremendously for a more efficient workflow.

This blogpost will not go into detail about how to adjust individual images with specific adjustments. It is instead aimed at speeding up your workflow, allowing you to do more in less time.

Step 5a – Duplicating for B&W

Sometimes I want to deliver a group of images in both color and black/white. The easiest way to do this is to select your adjusted target images, right click > Clone Variants. This will create new variants with similar adjustments of the images, suitable for further black/white adjustments. Variants are virtual and exist only inside Capture One; there is still only one physical RAW file on your disk.

It’s a good idea to tag the new variants for later filter management, and the easiest method for me is a simple color-tag. Select all new variants by right clicking one of them, Select By Same > Variant Position (2). With a selection of images and ‘Edit All Selected Variants’ ticked, now press ‘+’ on your keyboard to tag the images.

Use the Black & White tool along with levels and/or curves for exposure and contrast. Copy the settings using the single copy method from previous step to apply to all your new variants. When the desired look has been created on one image, applying to the rest is done within 30 seconds.

Step 6 – Exporting

When I export images for digital delivery to a wedding client, I want to make it easy for them to share the images with friends and family. I also want them to be able to make large prints of the files. This requires two different sizes of each picture with different amounts of sharpening and different ICC profiles.  For convenience, I also want to split up the exported images into subfolders, just like I divided my RAW files in the beginning.

Now, here comes the sheer beauty of Process Recipes.

I can select my images in each Session Album, click ‘Process’ (shortcut: ctrl/cmd + d), and Capture One now does all of this for me automatically. How did I achieve this? By setting up my Process Recipes to my exact needs using Tokens.

The Process Recipes are found in the Process Recipe Tab. I have two I use for weddings; ‘Wedding Print’ and ‘Wedding Resized’. Create a new recipe by clicking the plus-icon and name it what you want. Let’s go through the setup for both (I will ignore Metadata and Watermark for now):

‘Wedding Print’
Basic

I use 90 in Quality for wedding exports, which will slightly decrease the file size without affecting visual quality.

ICC Profile is Adobe RGB and images are exported to 100% of their original file size.

Resolution is 300 dpi for print.

 

File

Root Folder is set to Output Location, which will match the tool below (Output Location). This should, by default, have ‘Output’ chosen as folder. This is the Output folder in your session. You can always click the arrow to check.

Sub Folder is set to ‘Print/[Collection Name]’ where ‘Print/’ is manually written and [Collection Name] is a Token from the Token list, similar to when we imported images.

Adjustments

Here I add ‘Output Sharpening for Print’. Using the Recipe Proofing (glasses icon top right), you can see the effect of your sharpening amount of your selected recipe in the viewer. This way you can tweak it to your liking before doing any exports.

To sum up the first recipe; ‘Wedding Print’ will create a full-size JPG file in Adobe RGB, add a little sharpening to it, put it into a folder matching the name of the Session Album it’s processed from, and that folder is put inside a parent folder called Print.

Similarly, I want to create a resized version for sharing on social media or other fast applications.

‘Wedding Resized’ 
Screen Shot 2017-01-24 at 10.55.47Basic

I turn down Quality to 80 for this recipe to minimize file size without affecting quality. ICC Profile is now sRGB for web-based applications and Scale is set to 2000 pixels Long Edge.

With today’s retina displays and high-resolution smart phones, anything less might look pixelated.

 

Screen Shot 2017-01-24 at 10.58.33

File

The only difference from my ‘Print’ recipe here, is that I change ‘Print’ to ‘Resized’ in the Sub Folder format.

This creates a new parent folder for all resized images.

 

 

Screen Shot 2017-01-24 at 11.00.33Adjustments

Here I use ‘Output Sharpening for Screen’ instead, giving me a simple setup for adding sharpening for my resized images.

The amount of sharpening is subjective, and you should use recipe proofing to make sure you nail it. The image should look sharp and crispy without being overly sharpened. Too much sharpening kills images!

 

Make sure you have only the two selected Wedding Process Recipes enabled now.

When exporting using ‘Collection Name’ as a Token, make sure you are in the correct Session Album when clicking ‘Process’. Images can be in multiple Albums, and Capture One only knows the name of the collection you’re currently in. Therefore, go to ‘Preparations’ from the Library Tab, Filter by five stars, select all images and process using ctrl/cmd + d. Repeat for the four other Session Albums.

The result is all your exported images are put into a total of ten subfolders, distributed in two parent folders, both within the Session Output folder. Print files are full-size JPGs with ‘print sharpen’ and Resized are 2000 pixels long edge with ‘screen sharpen’. Voilá!

Step 7 – Conclusion

If you found this way of working interesting, try it out and create a Session yourself. You can even save the Session setup as a template, so you don’t have to create the Session Albums every time. This is done from ‘File > Save as Template…’ which is then available when creating new Sessions.

When doing this workflow consistently for weddings, you will have your RAW files as well as exported images neatly sorted in subfolders of each wedding for later use. All your files, including RAW files, are also easily accessible without opening Capture One.

As a last mention – and I can’t stress this enough – the only correct workflow in Capture One is the workflow that works for you. There are numerous ways of doing almost anything in this software, so I highly recommend exploring the features. You might be surprised by its capabilities.

Craving expert knowledge? Read more about the tools and workflows used in this blog post by visiting our User Guide:

Working with Sessions
Color Balance Tool
Black & White Tool
Processing Files

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