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Capture One for iPad: How Sharpen saves time and impresses clients with tethering

Tethering to the Capture One iPad app is the latest new feature for photographers to take their work on the go. Watch editorial photographer Robert Hall – one third of Sharpen on YouTube – talk time-saving, collaboration, and how he wows his clients using the new tethering capabilities.

“[Tethering to a laptop or desktop] just doesn’t work for me because I am never in a fixed location,” says Robert. The Michigan-based photographer has been playing with the new tethering functionalities on Capture One for iPad since the update to the app came out in September and has seen it open doors to new ways of working.

“Most of my work is on location wherever my clients are. Even today when I am working for my university client, I am going to be in six different rooms in three different buildings all around the campus.”

“I am just not in a fixed scenario that warrants tethering to some type of laptop or desktop setup. But with the update of the Capture One app, tethering is finally in a portable enough fashion that it works for my on-location workflow.”

With an iPad in a sling across his shoulder, Robert is now free to move between locations and in spaces where a cart, external displays, and wires just aren’t practical while still getting the benefits of a tethered shoot.

More screen real estate and RAW file viewing

Having a mobile way to shoot tethered means increased screen size for Robert to view his images as they come in.

“Going from your tiny two-and-a-half/three-inch screen on your camera to a 12-inch or 10-inch screen is just a huge upgrade in terms of visibility.”

He points out that not only can he better view his images on a bigger screen but shooting tethered means that he is viewing and making adjustments to his RAW files and not just the JPEG previews on his camera screen. With the same image processing power as you find in Capture One Pro for the desktop, the iPad app lets you work directly with your RAW files to have full control over the results.

“If you’ve ever gotten home from a shoot and you’re like ‘I thought there was way more contrast.’ That’s just JPEG preview life because you’re not actually viewing your RAW file on the back of your camera; you’re making adjustments to a JPEG version of it that generally has more contrast and saturation. So, you’re making adjustments that are in response to ways that your image doesn’t actually look.”

RELATED: Get flexible with tethering for Capture One for iPad

“Phenomenal for collaboration”

Discovering what using the iPad for tethering can do for his workflow, Robert has noticed how it brings his clients and collaborators closer to his work. “This is phenomenal in terms of collaboration.”

He has used other apps in the past to give his clients a way to preview and give feedback on his work, but none have hit the spot. Whereas other apps he has worked with take away his control as soon as he shares a preview with his client, using Capture One for iPad lets him continue his work without interruption when he hands the tablet over to his clients.

“Now [they] can look at the images as they come in and add commentary to the session, which makes things go a lot smoother and my experience using the camera is completely undisrupted.”

Robert Hall uses iPad tethering to speed up his on the go workflow

Enhance your images instantly

Capture One for iPad has a lot of features that desktop users will be familiar with. This includes Next Capture Adjustments, which lets you apply adjustments to your first shot and automatically add them to any subsequent captures. This means your images are one step closer to the final product as they come in.

“Because you’re dealing with RAW images here, this is really nice especially if you are doing any type of retail experience where you are showing clients images live,” Robert explains.

“Because, let’s be honest, a RAW file is a little bit meh. I mean they are low contrast, low saturation. They are designed to capture as much data as possible. Not just to look visually stunning right out the gate. So, to show clients RAW images, at least retail ones who don’t understand the editing process, might be a little underwhelming.”

For an instant wow effect, Robert adds that you can also select a Style to automatically apply to your images as they roll in.

Fill the empty space in your schedule

“Every photographer has experienced this. We have an 11 o’clock shoot across town 45 minutes from our house. Then we finish and we don’t have anything to do for two and a half hours and then you’re in that zone where you’re like, do I go home to only have 30 minutes at home, what’s the point of that?” says Robert.

“This is just wonderful because it’s a more productive use of our idle time. For me, this will probably largely be culling. You can use either the stars or the color tags and go ahead and rate your images however you want. But there is no reason to stop at culling. If you want to edit on this, you have control of all your typical sliders of color adjustments, cropping, sharpening, all that built right into the app.”

Capture One for iPad has many of the same editing and selection functionalities that you can find on the desktop. Now in a portable package, Robert has found that he can get most of his selection work done before even setting foot in his studio.

“I just had an hour and a half gap, and I culled all the photos from my first two shoots today.”


Want to see what Capture One for iPad can do to elevate your work? Download it here

 


 

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Artist Matilde Digmann sitting on a chair showing her middle finger. Shot by Marie Hald

Behind the photo with Marie Hald

Marie Hald is not one to shy away from a difficult topic. The Danish photojournalist has spent her career capturing intimate glimpses into the lives of people who are often overlooked, forgotten, or that many have decided they would rather not see. With her camera, she gives the audience an honest, unglamorous, yet deeply sympathetic view of fatness, sex work, old age, girlhood, and much more.

Her new photo book “Feminin” celebrates feminine beings, as she puts it, and the different ways 100 people between the ages of 0 and 102 inhabit this identity in a world of unattainable beauty standards.

Join Marie behind the scenes as she tells us about the process behind getting one photo from her book.

Portrait of artist Matilde Digmann and of the photographer Marie Hald

Who is the woman in the picture?

The woman is Matilde Digmann. She is an artist who works with ceramics and graphic design and also a friend of mine.

Why did you take her picture?

I love to play around with and photograph some of my friends who are also artists, and Matilde and I sometimes swap our art, if you can call it that. We had planned this session to be raw and true to Matilde’s universe. I love how the dynamics can be between artists working together. And a lot of the ideas for the shoot came from Matilde’s curly brain and just stuff we made up while playing around.

In the image, she is sitting on a bar stool with her legs spread, wearing a robe, and with only a drink covering her crotch. She is also showing the middle finger. Can you tell us more about this scene? What do you think the pose says about her?

The idea for this pose actually came from an image of Danish poet Tove Ditlevsen. We have another image that looks true to the photo of Tove. Matilde is a provocateur and an extreme feminist and just a wild heart. I’ve also photographed her naked, lying with her cat, as an ode to another image of Frida Kahlo. So, we liked to play around with her giving the viewer the finger while having her drink placed in quite a provocative place, like the crotch.

What do you like about this photo?

I like the tones of the image. The pastel colors that are milder and feminine matched with Matilde’s ‘no fucks given’ attitude.
Working in a studio setup hasn’t been anything I’ve really done in the past couple of years. I have a BA in photojournalism and normally come from a reportage background.

It’s a very colorful shot. Did you decide on the wardrobe? What kind of thought went into the colors in the photo?

Matilde brought over a lot of her wardrobe to my studio, and we experimented with different styles. The robe idea came from an image from The Big Lebowski. So, as you see we had a lot of mood board ideas and sort of just mixed them all up.

They say a picture says a thousand words. What do you think this image says?

I would like to think this portrait tells the story of Matilde. It’s hard to put in words, but I think it captures her raw, vulnerable, and powerful being. She is such a wonderful artist with all that comes with that. A wild mind, free spirit, and a lot of emotions.

How much time did you spend editing this photo? What have you done to it in post-processing?

I don’t usually edit my images that much. If I shoot a series, I make sure the tones are aligned, white balance etc. I like to get a sort of analog look. I also edit a lot of black out of the image and sometimes add some grain.

How does this image represent your work as a whole? Is it representative?

I think it is. I just published my first coffee table book, ‘Feminin’ which is a collection of my work with women and feminine beings. My goal is to be able to tell stories about people and subjects that are taboo in society. I want to portray women as they are: strong, powerful, feminine, and in many cases also vulnerable and sensitive. This is a huge power, and we have to reclaim the word feminine as a way more powerful word than it has been used as.

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Editorial workflow with Jan Wischermann

Join David Grover, retouch artist and Capture One ambassador Jan Wischermann and photographer and Nikon ambassador Ava Pivot in a unique editorial walkthrough of their work for Numero Netherlands and Faces Magazine.

Photographer Ava Pivot has shot the images, and Jan will show you his editing steps and color grading in Capture One, giving the photos even more character.

“I love sharing deep knowledge of my craft. It’s a great honor to connect to so many creative talents around the globe!” says Jan Wischermann.

Check out the fashion editorial photographed by Ava Pivot.

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Gearing up for cold weather with Rachel Jones Ross

How do you prepare for photo shoots in freezing climates?

Our upcoming livestream will help you prepare for your next cold adventure – maybe a ski trip, arctic exploration, or any chilling future endeavor.

Join David Grover and Sony Alpha Ambassador Rachel Jones Ross for an informative talk on gearing up for icy climates.

As a Canadian local and explorer, Rachel has had her fair share of dealing with plunging temperatures, snow, and ice. In this gear-focused livestream, we will discuss how you can protect yourself and your valuable equipment while ensuring that you set yourself up for success.

  • Prepare for working in arctic temperatures.
  • Take care of your camera, lenses, and batteries.
  • Feel safe and knowledgeable when venturing into extreme temperatures.
  • Protect yourself with the proper clothing – without being hindered by it!

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