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Second to None Color with Pratik Naik

According to high-end retoucher, Praktik Naik, photographers spend a lot of money investing in gear such as cameras, lenses and lightning. However, they seem to forget the RAW processing stage, which is the most crucial element in photography, if you ask Pratik.

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Personally, Pratik prefers to use Capture One Pro 9 for his RAW processing. His explanation is that it contains reliable tools that offer richer colors, compared to all other RAW converters on the market. Watch his video about Capture One Pro 9 to learn why he thinks this is so essential to your photography:

Would you like to try Capture One Pro 9?

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Stay on top of your game

If you are interested in getting to know more about Pratik’s work with Capture One Pro 9, watch the BTS-video from his shoot with professional photographer, Jonas Jensen:

“Fashion photographers on set, they’re using it on a day-to-day basis because it’s industry standard, I mean.. If you’re using something else, you’re probably not on the top of your game”. – Pratik Naik

New to Capture One Pro?

If you’ve never tried Capture One Pro, you can download a free trial here:

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Check out Pratik Naik’s new tutorials for those who want to learn Capture One Pro:

http://rggedu.com/products/the-best-tutorial-for-capture-1-101-for-photographers-with-pratik-naik

 

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Top 10 reasons to switch to Capture One Pro 9 – Part II

Still not convinced that Capture One Pro 9 is right for you? Read on and check out my top 5 reasons for why you should make the switch to Capture One.

5. Levels

Photographers with a wide Photoshop background are usually quite skeptical about Levels tool. In Photoshop, Levels is truly not the main tool, you can do almost all the same actions in Curves.

In Capture One, Levels is a much more important tool.

The main purpose of Levels is to edit black and white points – if you have a faded image, Levels may improve it dramatically.

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You will also have all the control over Output black and white points, it’s really useful for pre-print editing.

Moreover, Levels has one not so obvious, but absolutely amazing feature which is level corrections of Red, Green and Blue channels.
Have you ever seen an image with a strong color cast, which couldn’t be fixed with any of the regular tools?
Then it’s a turn for the correction of R, G and B channels. With those tools, you can set black and white points for each color channel separately.

In that case, you’ll get the most accurate and correct color, which may completely change your image:

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And the best thing is that Capture One can process it automatically!

Channel level correction allows you to get the true and realistic color at the first RAW-editing stage.
Viewing professional portfolios, have you ever thought: “How did they achieve such a clear color?”. Well, that’s how they do it.
And it’s only one of the tools from Capture One’s armory.

4. HDR, Color Balance and Clarity

All of these tools, in one form or another, are available on the most popular RAW-converters. The difference is that in Capture One they work much more accurately and smarter.

HDR:

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Since its first release in Capture One 6, High Dynamic Range tool was drastically updated several times. Today it provides an amazing quality of Shadows/Highlights zones correction.

Here are some examples: Capture One 9 High Dynamic Range on max and Lightroom CC (2015.5.1) Shadows/Highlights on max for the same images.

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Color Balance:

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Color Balance is all about color toning, a great tool to gain some atmosphere or to set the mood for your image.
It works equally well for portraits, landscapes and sometimes even for technical color corrections.

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The main advantage of Capture One’s color toning is that Color Balance works not only with Highlights and Shadows but with Midtones as well. It gives you many more editing possibilities.

By the way, with workspace customizations, you may create a separate tab and place different Color Balance modes on the same screen.

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Clarity:

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When I was talking to my colleagues, I noticed that many of them really enjoy Clarity tool, but at the same time, they are a little bit wary of its effects.
The reason is that in most popular RAW-converters Clarity tool is just a single slider without any additional settings.
That’s why sometimes it may work great, or it may ruin your image as well.

In Capture One, Clarity tool has four different modes, and each of them provides a unique effect.
For example, Punch mode works harder and seriously affects color. On the contrary – Natural mode is very accurate with your image and almost doesn’t touch color.

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Capture One’s Clarity tool also has one additional slider – Structure.

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It’s a really useful tool when you’re editing images with stone, wood or any other texture materials.

3. Local Adjustments and Retouch tools

Local Adjustments is a quite common feature for modern RAW-software, but Capture One’s approach has a number of strong advantages.

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First of all – Local Adjustments in Capture One is a separate tool with easy-to-use layer management system.
You can name layers, quickly switch between them, copy and invert layer masks.

Of course, there are all the regular tools: Brush, Eraser, Gradient, and Auto Mask. You can also set mask’s Opacity, Hardness, and Flow. If you’re working with a pen tablet, there is a pen pressure option available.

But what is really important, is that almost all the Capture One tools are able to work with layers : Curves, Color Editor, White Balance, Exposure, Contrast, Saturation, Brightness, HDR, Clarity, Sharpening and Noise Reduction, Purple Fringing and Moiré.
In practice, that will completely change your editing process: after a few weeks in Capture One, you will think layers.
Layers in Capture One are not an add-on to the main workflow – they are an inseparable part of the workflow.

Another amazing feature is creating masks from Color Editor selection.
In Capture One, you can select any color on the image and create a mask from it in just one click.

Create a mask of the model’s skin color or clothes, mask the sky on your image – all these tasks will only take a few seconds. No more meticulous work with the brush and eraser.

Yes, that’s how professional gear works – it saves your time.

In Capture One, you will also find excellent tools for image retouching: Heal and Clone layers.
Clone layer works like a Clone Stamp tool in Photoshop, it simply copies the selected area. Heal layer is smarter, it also changes saturation and lightness to blend images more smoothly and accurately.

With those tools, you can easily remove and replace objects in the frame and perform quite a complex retouch.

2. Curves

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Curves are one of the main tools for professional image editing. It allows you to get the full manual control over image’s contrast and color.

Besides all the common features like per-channel work, Capture One’s Curve tool also has several amazing unique features:

A) Layers support

Curves in Layers open a whole new dimension of image processing possibilities.

First of all – using Curves with masks from Color Editor you would be able to change any color of the image completely:

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The second useful case is a local color correction, it’s absolutely irreplaceable for wedding and portrait photography.

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Third unique feature – black and white points correction in layers. It’s not quite evident, but you can set local black and white points for each layer with Curves.

If you’re a landscape photographer, I’m pretty sure you’ll love this tool.

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B) Luma Curve

RGB Curve correction has some limitations, and the most common problem is that it also affects image saturation.
To avoid that issue, Capture One has created an additional type of Curve called Luma. It affects only luminance of the image and works the same way as L-channel in LAB does.
For example, Luma Curve is an excellent tool to add some contrast to, without ruining image colors.

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C) User-friendly interface

Curve is a considerably complicated tool in itself and it is really important to have a convenient interface to use it.
In Capture One, you can change the size of your Curve tool or create separate tools for each channel:

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And don’t forget to use a handy built-in preset with 5 standard points on the Curve.

1. Color Editor

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Above the great color rendering, Curve and Levels tools stands Color Editor – the main tool for color correction in Capture One.
It’s a real game-changer that makes professional work with color at times easier and faster.

Color Editor allows you to select and to work with any color on the image. What is really convenient is that you may see where on the image the selected color is located.

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For example on that image, I would like to correct shirt’s color hue without affecting the skin tone.

It’s tough because skin and shirt colors are quite close, however, in Capture One, you can easily select only the necessary color.

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But what do you do, when few objects in the frame are absolutely the same in color? Turn on the layers!

Color Editor works great with masks, it allows you to process local color correction of any object in the image.

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Now you see, why I put Color Editor on the first place, it’s a really amazing tool. But it has one more feature that every portrait photographer would love.

Color Editor has a special Skin Tone mode for detailed portrait color correction. In Skin Tone, you can select a color and unify its hue, saturation, and lightness to a chosen color.

In the end

As you’re reading this article, you might think, that I’m quite blind to limitations of Capture One. This is not true: I totally agree that it would be great to add some sort of History tool and radial gradient to Capture One and to make dozens of other small improvements.

But I have seen how everything was changing. The first time I tried Capture One version 3, it was a completely different application. Year after year, update after update it became better and stronger.
I would understand if you have tried Capture One 6 or 7 and didn’t find enough reasons to switch. 5-6 years ago Capture One’s main advantage was a clear color rendering and tethered shooting capabilities.

Things have changed and after many years of evolution Capture One can beat any other software not only in color but with a mass of unique editing features.
Today there is only one reason not to try a new gear – admit to yourself that your old 18-200mm lens was and will always be good enough.

Best regards,

Alex Svet

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Top 10 reasons to switch to Capture One Pro 9 – Part I

There is no question that Lightroom is the most popular RAW-converter on the market: It’s quite comfortable, cheap and easy to learn. The problem is that many photographers are not aware of the number of opportunities that they are missing. A RAW-converter should be considered photography gear – just like a camera or a lens. It would be weird to hold on to the 18-200mm kit lens you got in the box and never look for anything better.

Meanwhile, this is what’s happening with some RAW-software users: They’re stuck on the first step of the great RAW-processing ladder.

In this article, I’ll show you my reasons for my choosing Capture One after almost a 10-years of using different RAW-converters. If you’re totally fine with your converter of choice – well, good for you. If though, you feel that there is something missing, that some guys should really find a better way to deal with RAW formats; If you’re looking for something more – this article will help you find it.

10. Color

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Actually, that should be the reason number one since for many professionals realistic and clear color “rendering” in Capture One is the primary cause for switching. On the other hand, color is always quite a subjective matter, and that is why it’s meaningless to argue about that. But there are a few objective reasons, why Capture One deals with color better, than any other software.

First of all, it uses unique color profiles designed for each particular camera model.

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These particular profiles provide that accurate, precise, realistic color in Capture One. If you wish, you can also edit them to taste and re-save them as your custom color profiles.

Second reason is not quite evident, but crucial. Phase One (the company that develops Capture One), is not just a software company.

Their main business is to produce hi-end digital backs and medium format cameras; they also have an industrial division developing professional solutions for aerial and cultural heritage photography.

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The High-quality image processing algorithms in Capture One are a logical result of their many years of experience in that field.

Third reason is not about color itself, but about the primary rendering of the image in general.

In Capture One, at the very first stage of image rendering, you can choose the type of Base Curve, which will affect the image and it may give you a mass of editing possibilities.

For example, with Linear Base Curve you will get the “real” RAW image, almost without any initial corrections, which all the popular RAW converters do without your permission.

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At the first glance, the image with Linear Curve may look quite flat, but behind that you’ll find some amazing RAW editing capabilities.

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If you’re looking for something more than a simple contrast and exposure sliders – it’s a great place to start.

9. Customizable everything

One of the main advantages of Capture One workflow is that you can customize almost anything:

A) Reorganize and resize each workspace element.

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B) Put any tool in any place on the screen or duplicate tools and create custom tool tabs – for example did you know you can duplicate the curves tool 3 times to see Red, Green and Blue channel Curves?

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C) Set a custom default settings for all the main tools for one particular camera model

For example, if you have a few different cameras you can set default Sharpening and Noise Reduction settings for each camera.

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8. Image organizing

What I truly like in Capture One’s image organizing approach is that it gives you a choice.

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There are three alternative ways to work with your files:

 

A) Open files directly on your hard drive, without import or any additional action

Simply open a folder and you’re ready to work.

 

B) Create a new session for every new shoot

Best suited for commercial photographers with project-based workflow. That way, you will have all the images that are related to a particular shoot in one place.

C) Organize images in Catalogs

Capture One Catalogs have all the popular DAM (Digital Asset Management) features: ordered structure with folders and projects, albums & smart albums, searching filters and keywords. You may also decide where to store RAW files – inside the  Catalog or on any attached storage to the computer.

If you have tried Capture One 7 and weren’t satisfied with its catalog features – it’s definitely worth to give Capture One 9 a second chance. Since the first release of Catalog in Capture One 7 a bunch of features have been changed and improved. Now we have great Keyword Libraries, Folder Synchronization, Dynamic Locations and much more.

It is still the Capture One approach to cataloging images and organizing and different from Lightroom. A good analogy would be that it is like Mac is different to Windows. Take your time to get used to it and let it work for you.

7. Different processing recipes

In Capture One, you can easily create custom processing recipes and convert images into different formats with one click.

Let’s take the most common case: processing images into Full-size JPG, Tiff, and small-size JPG for the web.

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We’ve created three recipes with different formats, sizes, quality and embedded metadata settings. Now you can convert all the files to different formats and locations with just one click.

 

By the way, here is another example of how you can automate processing using tokens:

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With that set of tokens, Capture One will create new folders with dates when images were taken. Inside each folder, it will create folders by image ratings and inside them – by format names.

In my case it looks like this:

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Again – all that folder structure will be generated automatically for any new process with only one click. And you have dozens of tokens to choose from and to create unique processing paths.

6. Tethered shooting with Capture One

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If you work a lot in a studio on portrait, commercial or product photography – tethered shooting software is one of your main tools.

In modern photography tethered shooting isn’t a new fancy feature anymore, it’s a professional work standard.

And in this area, there are no competitors to Capture One. The reason is that Capture One provides all the features, which you may need for tethered shooting and even more.

A) Full control over the camera settings and image adjustments

 

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You can change almost all the camera settings directly in Capture One: Starting from aperture, shutter speed and ISO to focusing, synchronization, bracketing and dozens of other camera settings.

It allows you, literally, to not touch the camera during the shoot. Unfortunately, Capture One can’t move your camera and product in the frame, yet. Perhaps in the bright future, special photography robots will surely help us with that; today, however, we still have to use human assistants.

 

You can also decide which adjustments will be applied to the next captured image. They could be adjustments from any previous image or from saved presets.

Actually, this is one of my favorite features, because my clients will never see “raw” image during the shoot. Each new image shows up immediately with the right color, Curves and exposure corrections.

B) Great composition features

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Picture: Phase One

Live view – allows you to see “live” pictures from your camera, to set composition and focus.

Composition mode – while this option is on, only the last captured image will be saved on your drive. Excellent feature for the pre-shoot tests.

Overlay – adds any picture over the main image. It’s really convenient when your image should fit a specific design layout or magazine cover (for example.)

C) Remote camera control

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With Capture One Pilot app you can control your camera from any iOS device. For example, you can connect your iPad over Wi-Fi to your laptop with Capture One and fully control your camera. Take images*, change exposure and quality settings – right from you iOS device.

You can also select images, rate them and set color tags during the shoot. This feature works not only with iOS but with any internet browser on any device.

Here are some videos on how it works:

Using Capture Pilot for iOS and Web

 

Camera Control:

Introduction to Capture Pilot photography app

My favorite trick in a commercial session is to connect client’s laptop to my Capture One server and watch the reaction when images start to display on client’s machine.

It really impresses people! And it’s also quite convenient that client may rate the best images while you shoot.

Of course, you may find separate applications for each of those tasks, but you’ll never find all of them in one solid and easy-to-use solution on the market.

Best regards,

Alex Svet

To get to know Alexander’s top 5 reasons for choosing Capture One Pro, check out Top 10 reasons to switch to Capture One Pro 9 – Part II

 

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A successful collaboration with separate viewpoints

NOTE: This article discusses an outdated version of Capture One. To learn more about our latest version, click here.

Landscape photography can be a lonesome pursuit, and if I’m honest that’s generally the way I prefer it. The time alone really allows one to connect with the landscape, the mind freeing itself of the daily stresses of modern life. After a few hours alone in the wilderness, I begin to feel free, truly alive and everything else just slips away, I’m in the moment.  This is when the creativity just flows, and it’s that feeling that I long for when I’m sitting at my desk writing blog posts or processing images.

Same location, separate viewpoints

However, we are social creatures, and even the most introverted people can benefit from some form of collaboration in their lives, particularly when it comes to photography. I met Darryll Jones at a camera launch event, where I was present in an ambassador role. I’d seen Darryll lying on the floor around the gardens of the country house where the event was being held, I initially thought he was just experimenting with low angles, he was in fact photographing toy storm troopers. To be precise, he was taking pictures of ‘Eric’ the storm trooper, and it turns out that Eric has upwards of a 100,000 followers on Instagram!

Let me cut a long story short by telling you that Darryll and I hit it off straight away, we were on the same wave length. We believed that we could tell the story of a location from two separate viewpoints, rather than say, two landscape photographers collaborating and coming away with more or less the same images. I would produce the finer art, classic landscape imagery, whilst Darryll tells the story from Eric’s point of view, somewhere within this chaos, Eric and I cross paths and share the adventure.

 

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Getting started

Darryll and I had our first trip together to the Lake District, Cumbria in the UK, as a kind of test run. We found that we really feed off each other’s creativity, we get excited about the opportunities within landscape before us, yet we come away with a different story to tell. With the first trip being a success, we decided to go a little further afield. Within the UK it doesn’t get much more rugged and beautiful than on the Isle of Skye, the largest island in the Inner Hebrides archipelago, which is connected to Scotland’s northwest coast by bridge. During this trip, we would have the use of a very special camera indeed, the Alpa A-series, kindly supplied by Phase One. The A-series is a very beautiful camera indeed, a real work of art, and my first venture into medium format photography.

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Shooting with the Alpa A-series

The A-series IQ3 Camera System comes with all the accessories needed straight out of the box, comprising of a beautiful wooden handled mid-section, which the lenses and IQ3 back attach to, assembly is a breeze and the whole system oozes quality. For our trip, we had three lenses available to us, the ultra-wide Alpagon f/5.6 23mm, the wide ALPAR f/4.0 35mm and the Alpagon f/5.6 70mm. Without wanting to sound too pretentious, I consider myself an artist, not a technician.

As long as I can get the camera system to do what I want and deliver great results, then I’m happy, I don’t study the finer details of lens construction or count pixels. I do like my kit to be a joy to use, however, I find that most modern DSLR and mirrorless camera systems come with many features that I never find myself utilising. With the A-series, it’s back to basics, a fully manual camera, which dictates a different kind of workflow. A slowed down, methodical approach is required, this totally suits my style of working, and the system is an absolute pleasure to use. It’s not a camera for beginners, but then a beginner certainly wouldn’t be investing in this level of kit.

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Individual preferences – individual stories

As we travelled around the Isle of Skye, it’s difficult not to want to stop and take an image around every bend in the road; additionally, the typically changeable light of the Hebrides presenting us with picturesque view in all directions. Personally, I prefer the moodier, overcast days for my style of photography, always striving to evoke the mood of the landscape before me, whilst attempting to simplify the elements within the frame.

As I hike out in to the landscape, Darryll can be found clambering around rocky shores, and wading through rivers with Eric and friends, Billie the Scout Trooper for example! With us both immersing ourselves in the environment, time slips away, minutes turn to hours. I often find this time outdoors Zen like, sometimes no thoughts entering my mind other than searching for a good viewpoint from which to make an image. I enjoy looking for detail in the landscape, perhaps concentrating on the geological features, creating abstract imagery which can give us clues as to the history of a location.

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High level image quality

After our first day out with the A-series, we were keen to get back to base and see what we’d captured that day. Immediately upon opening one of the files we were absolutely astounded at the image quality, it is something that I’d never experienced previously. My own personal camera is a full frame Sony A7R, which is pretty amazing image quality it has to be said, but the A-series is another level altogether. That large sensor (2.5 times larger than a full frame DSLR) creating almost 3D like images, with such impressive dynamic range. Additionally, the Rodenstock lenses supplied gave us beautiful bright, distortion free images.

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Cool IQ3 back features

As mentioned previously, working with the A-series is a stripped back approach, getting back to basics with camera techniques. However, the IQ3 back does have a few very useful features. I found the Live view function perfect for focusing, a simple double-tap on the touchscreen and you are zoomed in to 100%, whilst zoomed in, I’d adjust the focus ring, using this technique I found the images to be pin sharp every time, almost alarmingly so!

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The Alpa A addiction

Eventually we had to give back the A-series, we were not happy about this. Adjusting to life after the Alpa has been difficult for me especially, but life goes on and we managed to capture the images that you see here, which we hope you enjoy! Using the Alpa A-series was just a phenomenal experience, for me this is the pinnacle of cutting edge photography. Phase One’s IQ3 digital backs paired with the precision engineered Alpa lenses and body are perfect for landscape photographers wishing to create the best quality fine art imagery.

If you’d like to follow our adventures more closely, and for the full story of our trip, please do head over to our various social media platforms.

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Did you get curious to explore more pictures and adventures? Visit Karl’s and Darryll’s websites on the following links:

www.karlholtby.com

www.haveyouseeneric.com

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