When shooting corporate headshots, or other portraits of many individuals, time is often an important factor. You don’t get many minutes per person, and after several days of shooting, you often end up with a huge number of images. Managing an entire company’s batch of headshots can be complicated, but it doesn’t have to be time consuming or difficult. Capture One is a super powerful tool to help with this task.
From version 10.1, Capture One supports reading of PSD files. You have always had the option to export to this widely popular file format, but if you wanted to see your work file inside of Capture One after some external editing, you were required to save your layered file as a TIFF. Those days are gone. Whatever layers you might add on top of your images, Capture One will now recognize and show PSD files as any other supported file type. It is important to mention that processing layered files from Capture One always flattens the image, and the layers in your PSD or TIFF files are not individually visible or editable in Capture One. The files are always treated as non-layered files within Capture One. Now, what does this mean for your workflow? Depending on how you edit your images, this provides two overall game changing additions if you are a regular user of Capture One and Photoshop (or a similar editing software): asset management and full round-trip workflows. 1. Asset Management If you …
Miss Aniela’s recently completed “Barocco” project has been the culmination of two shoots: one on location, and the other in studio. The project takes inspiration from the Baroque and Rococo eras, creating a symphony between high-fashion and surrealism. Shooting in this particular style requires pristine attention to detail throughout. Here Miss Aniela shares her workflow on how she has achieved these images. “Whenever I shoot with the Phase One I tether to my iMac desktop at all times, the images always dropping smoothly into Capture One Pro 10. For easy organization, I create a new Session for each model look, shooting straight into the Capture folder, which later on I organize approved/rejects into Selects/Trash respectively. In the Library tab, I can then easily navigate to the Selects folder to work on my desired shots and batch-copy adjustments across any set of images to preview the desired effects, before hitting the ‘process’ button to output them as high-res 16-bit Tiffs in sRGB. From there, I simply open the Output folder in Adobe Bridge so I can take …
NOTE: This article discusses an outdated version of Capture One. To learn more about our latest version, click here. For the past 6 months, I’ve been using Capture One Pro by Phase One as my RAW converter and image editing software. In this article, I am going to share How I switch from Lightroom to Capture One Pro. I won’t cover Why as many others have already covered this topic (see resource links at end). With a long career in IT as my background, I put together a transition plan to assist me in moving to Capture One Pro. I’ve simplified the transition plan down to 4 Transition Stages and 2 Post-Transition Activities to help others interested in switching to Capture One Pro. Disclosure: Since I am a Windows PC user (Microsoft Surface Book and Surface Studio computers), all my workspaces, keyboards shortcuts, etc. reference the Windows version of Capture One Pro. Stage 1 – Mapping Out Workflow My process began by reviewing my existing workflow (Figure 1) with the workflow pipeline Sascha Erni covers …