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Panasonic LUMIX Tethering in Action

How We Built the First Wireless Tethering for Panasonic LUMIX

With the release of Capture One 16.6.3, we’re introducing wireless tethering for LUMIX S1RII, S1II, and S1IIE cameras. A milestone which was made possible through a close collaboration between our engineering team and Panasonic. One of the key people behind this development is Henrik Jessen, Principal Software Engineer at Capture One. Henrik has been with the company for seven years and plays a crucial role in our camera support team—handling file support, color science, lenses, and tethering. He was deeply involved in planning and designing the wireless tethering implementation from day one. Below is our conversation with Henrik about how it all came together.

wireless tethering for lumix in action

What is Tethering and Why It Matters to Photographers

Tethering means connecting a camera to a computer or an iPad while shooting. Most commonly, this allows the images to transfer immediately from the camera to the device, so you can review, adjust, and even share them in real-time. It’s a key part of studio photography workflows. Tethering can also enable Live View and remote control of camera settings—especially helpful when the camera is mounted out of reach.

The Challenges of Wireless Tethering and How We Solved Them

We all use WiFi daily, so it’s easy to forget how complex wireless communication actually is. Compared to USB, the main challenges are speed and reliability.

While we can’t match USB speeds over WiFi right now, for many photographers that’s not critical—especially when typical image transfer delays are around 3–6 seconds, depending on your WiFi setup and camera settings. Not long ago, these kinds of delays were the standard for USB tethered performance.

But reliability is where things get tricky. Photographers move around during a shoot, and that can weaken or block the WiFi signal. We put a lot of effort into testing disconnect and reconnect scenarios to make sure Capture One and the camera handle those transitions smoothly.

Collaborating with Panasonic to Build Wireless Tethering for LUMIX

The project had two phases: first, USB tethering; then, wireless over WiFi.

Generally, Panasonic shared camera specifications and insights, while we brought deep knowledge of real-world tethering workflows. For this wireless implementation, it was a true joint effort—Panasonic developed firmware while we worked on Capture One in parallel. We exchanged incremental builds, test results, questions, and feedback continuously throughout development.

What Makes the LUMIX S1 Series Unique for Wireless Tethering

Panasonic created a brand-new tethering protocol for wireless, incorporating enhanced encryption and data security. That’s important across the board in today’s IT landscape, but it also added complexity. Developing secure features demands a different mindset and stricter procedures to make sure we get it right.

Inside Our Tethering Test Setup at Capture One

Capture One runs on Mac, Windows, and iOS—and we support tethering for over 150 cameras, many of which offer both USB and wireless connections. That creates a huge web of combinations to validate.

Fortunately, most of our tethering logic is in a separated software component that works across platforms, so we develop once and integrate everywhere.

I mostly work on a Mac, but I have a Windows PC on my desk too, plus access to various computers, iPads, cables, and network gear. And yes, we have a big cabinet full of cameras. Our Test Team runs broader test plans for releases, but I like to test by using Capture One like a real photographer—walking around, shooting, checking results. That kind of hands-on approach always gives valuable insights.

Unexpected Discoveries from Building Wireless Tethering

With our experience building tethering, we’ve learned to expect the unexpected. Usually, we can get the basic functionality working quickly. But then comes the long, detailed work of finding edge cases, improving reliability, and polishing everything to production quality. That phase takes focus and resilience—but that’s where the real value is.

How Wireless Tethering Transforms the LUMIX Shooting Experience

Different photographers will benefit in different ways, but the key is flexibility. Wireless is ideal for situations where you need mobility more than sheer speed.

Here’s a personal example: I was recently photographing my 1-year-old niece. With a toddler running around, wireless tethering made a world of difference—it let me stay agile while still reviewing shots on my laptop.

Cross-Team Collaboration at Capture One: Making Tethering Happen

There were three main teams involved:

  • Our Strategic Partnerships Team, who handled the collaboration with Panasonic, coordinated goals, and kept the process aligned.
  • The Camera Support Engineering Team (aka the RAW Team), which I’m part of. We had two engineers focused on LUMIX tethering—myself and Nathan Galmiche. You can also hear from Nathan in our Instagram interview, where he talks about the project from his point of view. You can find it below.
  • And the Test Team, who defined and ran acceptance tests before release.

A Message to Photographers Trying Wireless Tethering for the First Time

We know this has been a highly requested feature, and I’m really happy we’re now delivering it. I hope this gives LUMIX users more freedom and new ways to shoot—and makes your workflow just a little bit easier.

Try Wireless Tethering for LUMIX and More – Now on Desktop and Mobile with Capture One

Whether you’re using a LUMIX S1RII, S1II, or S1IIE—make sure your firmware is up to date and

Download the latest version of Capture One 16.6.3

Panasonic user? You can also claim an exclusive 3-month free trial of Capture One, perfect even if your camera doesn’t support tethering.

Get the 3-months trial offer here

Using a different camera? Capture One supports tethering for over 150 models, including wireless options.

Check if your camera is compatible here

Looking to get more out of Capture One?

See what’s new in the latest Capture One updates

Start your free 7-day trial today

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How to Retouch Faces

Portrait editing, especially retouching, shouldn’t be a time sink or an afterthought. The tools in Retouch Faces deliver clean, natural-looking results without the need to export or rely on third-party apps. It’s fast, built-in, and designed to fit seamlessly into your workflow.

Here’s how it works and why it’s a game-changer for portrait photographers and beyond.

 

How to access Retouch Faces

You’ll find the tools in the Retouch Tool Tab. It’s part of the default workspace in our May 2025 release (16.6.0) and newer, so you’re ready to go right out of the box.

If you’re using a custom workspace and the Retouch Tool Tab isn’t visible, just click the three vertical dots next to the Tool Tabs > Add Tool Tab > Retouch Tool Tab.

See this Help Center article for details: Customizing user interface.

Retouch individual faces or all

Whether you’re editing a group shot or a single portrait, you can apply changes to all detected faces, or fine-tune each one individually. You can automatically detect up to 32 faces per image, provided each face is at least 200 pixels on its shortest edge. Ideal for studio sessions, events, or anything in between.

To reset edits for a specific face, click the reset button on the frame of the face.

See this Help Center article for details: Resetting adjustments.

 

Refine skin details with the Blemish slider

Use the Blemish slider to clean up minor distractions, anything from pimples to rough patches. It starts by targeting larger imperfections and, as you increase the value, it gradually picks up smaller ones.

Start between 0 and 40 to avoid over-editing and preserve natural skin texture.

Reduce under-eye shadows with the Dark Circles slider

Tired-looking eyes can dull a portrait’s natural glow, but with a simple slider, you can bring the intensity back. Our Dark Circle Reduction tool softens shadows under the eyes while maintaining natural detail. Great for headshots, corporate portraits, or anyone who needs to look sharp and well-rested.

Smooth skin contrast with the Even Skin sliders

The Even Skin sliders help even out broad contrast inconsistencies while keeping natural texture and lighting intact, ideal for everything from fashion to school portraits. Use the Amount slider to control how much smoothing is applied, and Texture to decide how much fine detail stays in.

Try different combinations for different results: a high Amount with low Texture (like 80 / -70) gives a polished, editorial look; a lower Amount with higher Texture (around 40 / 50) keeps things natural. Pair this with light Blemish adjustments to refine skin without making it look overworked.

Add natural contour to portraits with Contouring slider

Give your portraits dimension without manually dodging and burning. The Contouring slider subtly deepens shadows on the face to define cheekbones and jawlines in a natural, flattering way, especially useful in flat lighting or tight headshots.

But it’s not just a blunt tool. Contouring intelligently analyzes the light on the face, skipping over highlights and applying depth only where it makes visual sense. It enhances the natural structure without fighting the lighting or overprocessing the edges.

 

Adjust overall retouching with the Impact slider

This is your global control. The Impact slider adjusts the intensity of all your facial edits in one go, perfect when you need to make quick calls during live sessions or client reviews. When working with multiple faces, it acts as a master control for all of them, but you can also fine-tune each face’s Impact individually if needed.

Retouch portraits at scale with Styles and Copy/Apply

If you’re shooting dozens or hundreds of portraits, that’s where Copy and Apply comes in. But this isn’t just a simple copy-paste. Capture One intelligently detects new faces in every image, even if they’re different people, in different positions or lighting, and automatically applies your retouching to the right faces.

When copying edits from portraits with multiple individually adjusted faces, Capture One applies those adjustments based on the face order in the source image. As long as the face order stays consistent, the retouching maps correctly to the right features on each subject.

It’s fast, accurate, and ideal for high-volume workflows where consistency matters.

See this Help Center article for details: Copy and Apply adjustments and layers.

Want to take it further? You can save your global Retouch Face adjustments as a custom Style, so they’ll be applied to all faces in an image automatically. Assign that Style to a custom keyboard shortcut, and you’ve got a rapid-fire retouching setup—perfect for flying through sessions with just a few keystrokes. It’s a powerful way to turn hours of work into minutes.

See this Help Center article for details: An overview of Styles.

Connect your camera and retouch portraits while tethering

One of the most powerful use cases: tethered portrait shoots. With Retouch Faces and Next Capture Adjustments, every portrait you shoot is instantly retouched. The edits carry over from shot to shot, so you’re always showing your client the best version, live on set. That means faster approvals, fewer reshoots, and less time in post. It’s a workflow that makes you efficient.

See this Help Center article for details: Adding adjustments automatically while capturing.

Build a scalable headshot photography workflow with AI Crop, AI Retouching, and tethering

With these new updates, headshot photographers have everything they need to scale—fast, natural edits, automatic framing, and live previews.

Use AI Crop for perfect framing from the start.

Use Session Builder with Tokens to organize files as you shoot.

Combine all that with Retouch Faces while tethered shooting plus Next Capture Adjustments, and your clients see final-quality results the second the shutter clicks. That’s a major advantage for studio work, team portraits, and high-volume bookings.

See these Help Center article for details: AI Crop, The Complete Guide to Sessions in Capture On: Session Builder.

What’s next for portrait retouching in Capture One?

We’re not done yet. In upcoming Capture One releases, we’re working on a new feature that lets you protect beauty spots and other skin details you want to keep during retouching. It’s a small change that could mean a big leap in creative control.

Right now, tools like Blemish Removal may unintentionally smooth out marks users want to preserve, like freckles, scars, or moles. This new protection mask will help you retouch with more intention, keeping important facial features untouched while cleaning up distractions.

Stay tuned. And if you’re curious, try Retouch Faces features for free for 7 days here.

Photos by Mark Dexter, captured on location at Mulletfest with Capture One.

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Why Aleksander Salski ditched “Perfect” photos

Meet Aleksander Salski, a Warsaw-based photographer whose work strikes a delicate balance between classical photography and fairytale-like fantasy.

After spending over a decade as a graphic designer and art director, Aleksander made a shift. What started as a desire to break out of the isolation of design turned into a career behind the camera—one that’s taken him from Tokyo to Indonesia and onto film sets at the Camerimage festival.

With over 20 years in image-making, Aleksander brings an eye trained by design and a mindset shaped by experience. He knows the value of patience, collaboration, and creating a relaxed atmosphere on set. His images reflect his influences—painting, cinema, culture—and his lens: frequent travels, heavier electronic music, and a bit of a rebellious streak.

Check out our Livestream with him. 

We asked Aleksander to share his process, what inspires him, and how he’s found his voice through photography. Here we go:

What’s your first photo memory? 

My earliest photography memory is from when I was about ten. I’d often go on walks with my grandfather, a geologist who treated photography as a hobby. One hot summer day in Warsaw, while other kids were playing nearby, he decided it was time for a portrait. He was using an old Zenit camera, and setting the exposure seemed to take forever. I was fidgeting, desperate to run off and play. At the time, photography seemed complicated and tedious. I never imagined it would become my life’s work.

Why did you choose photography? 

I studied photography at the Academy of Fine Arts in Warsaw but spent ten years working in design. Eventually, I realized I wanted to work with people again and be on the move. Photography gave me that opportunity. I enjoy the energy, the pressure, and the collaboration. I’m still happy with that choice.

Who or what inspires you? 

I’m drawn to social and cultural themes that disrupt my sense of calm. Those subjects make the best starting points for creative and fashion photography. I also take inspiration from painting, cinema, and travel. My recent trip to Indonesia sparked a project that blends documentary and fashion—exactly the kind of work I enjoy. 

How would you describe your unique style? 

I’d describe my style as a search for balance between fantasy and classical photography. I draw heavily from painting, especially its color palette and symbolism. I also use custom-made filters to degrade the image in ways that interest me. It gives my work a distinctive, organic quality. 

What’s a must-have on a photoshoot, and why? 

First, a great team. I have nothing to shoot without a solid stylist, makeup artist, and hairstylist. Second, the mood on set—everything flows if the energy is right. And third, my custom filters. I prefer to create effects on set rather than fix things later in post. It’s more authentic. 

Do you have a photography experience that stands out to you? 

Photographing actors at the Camerimage festival has been a highlight. One moment that stands out was photographing Willem Dafoe. I was nervous—he’s such a legend. To break the ice, I told him my mother had a crush on him when I was a kid. He laughed, and the session instantly felt easy. That connection made for one of my favorite portrait series. 

Is there anything that stands out about your workflow? 

I sketch my shots before a session. It’s not that common in photography, but it helps me have a clear plan. Once I’ve got the essentials, I feel free to experiment. 

What’s been your hardest—but best learning? 

At the beginning of my photographic journey, my biggest mistake was having too much ambition and a desire to “make up for lost time.” This caused me to react very emotionally to stress on set, putting the pursuit of the perfect shot above the team’s overall comfort. In hindsight, I see it was unnecessary—we’re not performing open-heart surgery, and making sure everyone is at ease on set is crucial. Now, that’s my guiding principle.   

What’s next—anything you’d love to shoot in the future? 

I’d love to return to Tokyo. I worked there in 2016, and the culture and visual language still inspire me. I want to spend more time there, go deeper, and create new projects in that environment. 

See more of his work on Instagram. 


 

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Portraits that change lives | Jack Eames x Haircuts4Homeless

Jack Eames’ decade-long journey with Haircuts4Homeless, capturing honest stories and opening new opportunities through his lens. 

Photographer Jack Eames has been working with Haircuts4Homeless for nearly ten years. The charity offers free haircuts to people experiencing homelessness, but it’s about much more than a trim. It’s about connection, dignity, and being seen.

For Jack, projects like this matter. They give him purpose, push his creative boundaries, and offer a meaningful way to give back.

“What I do with Haircuts4Homeless is bring things to life.” — Jack Eames

At events, Jack sets up his trusted foldout backdrop, which has been everywhere with him, and photographs guests after their haircuts. His portraits are stripped back and honest. No fuss. No frills. Just real people, often with a quiet confidence that comes through after a small but mighty act of self-care.

The portraits also give something back. They help Haircuts4Homeless tell its story and keep its mission moving forward. For the people Jack photographs, the images can be a powerful reflection—sometimes showing them a version of themselves they haven’t seen in a long time.

“Photography can’t change the world, but it can give us opportunities to create change.” — Jack Eames 

Technically, Jack keeps things simple. He uses Capture One, tethering his camera to his laptop so he can review and adjust the images as he shoots. The software makes the process smooth, letting him focus on what matters most: the person in front of the camera.

This project is a glimpse into how photography can create connections and tell stories that matter. It’s not about changing the world overnight—it’s about small moments that open doors. For the charity, for awareness, and for someone to simply feel seen. 

Get the book and read more about Haircuts4Homeless: https://www.haircuts4homeless.com/

Talent: Jack Eames
Director: Paul Reiffer
DOP: Tom Coe

Haircuts4Homeless: Stewart Roberts, Founder 
Haircuts4Homeless: Belinda Lorenzo-Hernandez, Administrator 
Haircuts4Homeless: Nicky Pope, Trustee 
Haircuts4Homeless: Steven Easton, Team Leader

See more of Jack’s work on his Instagram and website.


 

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