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Working the Workspace

NOTE: This article discusses an outdated version of Capture One. To learn more about our latest version, click here.

Workspaces in Capture One are an easy way to customise the interface so that it makes the most sense to you. This could include elements such as:

– Making your favourite tools easily accessible

– Changing the layout and content of the toolbar

– Making different workspaces for different tasks (Importing, Editing, Shooting, Focus Checking)

By streamlining the interface, your favorite functions and options can be found quickly and easily. Different tasks will also require focus on different parts of the software. For example, whilst selecting images from a shoot, it is not necessary to have the Tools on display, thereby creating more screen real estate for image viewing.

Building and Saving a Workspace

The default workspace in Capture One Pro 6 looks like this:

Many elements of the Workspace can be changed – among others:

– Contents of the Toolbar

– Adding / Removing Tools from a Tool Tab

– Changing the position of Tools in a Tool Tab

– Adding / Removing Tool Tabs or Creating Custom Tools Tabs

– Creating floating windows

– Position of the Browser and Tools

Customizing the Toolbar

Right-Click on the Toolbar and choose Customize Toolbar.

This will bring up the following menu:

Then you can simply drag and drop the required icons from the available selection into the toolbar to match your needs.

Customizing Tool Tabs

To add a new Tool Tab to the interface, right-click on the Tool Tab Area and choose Add Tool Tab. A list of the Tool Tabs that have not yet been added will be shown in the menu.

Choose one of the available ones and it will be added to the Tool Tab area.

Note – the Tool Tab area can also be increased or decreased in size by click dragging on the edge of the Tool Area.

You can also change the order of the Tool Tabs to fit your unique workflow. Just Cmd-click and drag the icons to change the order of the Tool Tabs. If you want to add a tool to the currently open Tool Tab, you can Right-Click on the Tool Tab itself and choose Add Tool.

Finally, when you are happy with your new Workspace, choose Window>Workspace>Save Workspace.

The Workspaces can be accessed from the same menu or by using the Workspace icon on the toolbar.

Fixing Heavy Burn-Outs with the Color Editor

A camera with a large dynamic range will allow you to better retain the details in both the shadows and highlights at the same time.

Not all camera manufacturers have realized the importance of having a large dynamic range, and images shot with these cameras are more likely to show clipped highlight details.

When working with a RAW file you do have the possibly to recover some of the clipped highlights details as all three color channels typically do not clip data at the same exposure level.

As you get to know your camera, you will learn how much overexposure an image can handle while it is still possible to recover all details. The benefit of doing this is to get brighter shadows and more headroom to open up the deep shadows without showing noise.

Sometimes, you end up with images where the highlights are too blown out and all attempts to recover the clipped data leads to strange looking colors close to the burned-out areas. Capture One Pro 6’s Color Editor can be the only solution to fix such false colors.

The image above was shot with a camera with a limited dynamic range. To the left, you can see the image straight out of the camera where the highlights are clearly burned out. To the right, you can see the image after the highlights has been recovered and the false colors fixed with the Color Editor.

Capture One’s High Dynamic Range tool is the tool to start with when fixing the burned-out highlights. As the image was shot with a camera with a limited dynamic range, there is very limited headroom for the highlights. I can barely recover the details and I get some false greenish color in the recovered zones.

To fix the false color, I’ll use Capture One’s Advanced Color Editor. I’ll make the correction in an Adjustments Layer as I don’t know for sure whether the false color also appear as a natural part of the image.

1. Add a new adjustments layer in the Adjustments Tool by clicking the ‘+’ icon.

2. Invert the mask as you want to make sure that you work on the whole image while setting up the right parameters for the tool.

3. Pick the false greenish color with the color picker.

4. Adjust the selection by checking the “View selected color range” on.

5. Reduce the Smoothness slider and turn the hue a little towards the green color in order to isolate the false color.

6. Uncheck the “View selected color range” and adjust the hue to a more yellow/brown tone.

7. Invert the mask and brush in the color corrections.

Removing Color Moiré with Capture One 6

Capture One Pro 6 includes a powerful tool for fixing color moiré. It can be used both globally on an image and in a local adjustments layer.

Many cameras will, once in a while, show color moiré if high frequency patterns are part of the image.

Most DSLR and Micro Four Thirds cameras use antialiasing filters to avoid or minimize the appearance of moiré. However, many new cameras use lower strength antialiasing filters, or have no antialiasing filter at all in order to prioritize sharpness.

When using these cameras with the kit lens, typically you would hardly ever experience problems with moiré because these lenses are not sharp enough to provoke moiré on high frequency patterns.

But, if you use high quality primes to achieve really sharp images, you also run the risk of getting moiré.

The image on the left is shot with a mirrorless camera using a sharp prime lens. The high frequency pattern on the balcony fence shows strong color moiré. The image on the right is after fixing the color moiré in Capture One Pro 6.

When you suspect a moiré problem in one of your images, you need to zoom to 100% in Capture One’s viewer to verify that there is a real moiré problem – sometimes it is only the low-resolution preview that shows moiré.

Once you have located a real color moiré problem, like in the example below, select the Detail Tool Tab where the Moiré Tool is located.

Color moiré can be removed globally from an image but when you remove color moiré, you risk color bleeding in other parts of the image that you may not pay attention to. Therefore, it is better to apply the color moiré correction in a Local Adjustments Layer.

Step by step guide to remove color moiré:

1. Add a new Local Adjustments Layer

2. Inverse the mask. This is only an intermediate state. By inverting the mask, we work on the whole image which is necessary when setting up the parameters for the Moiré Tool.

3. Set the pattern size to maximum to make sure that the color moiré filter covers a whole period of false colors.

4. Now drag the amount slider until the color moiré disappears. You should use as low a value as possible to remove the moiré.

5. Reduce the pattern size to the minimum size that still fully removes the moiré. Now we have found the minimum values required to remove the moiré. This is important, as it will minimize the risk of unwanted color bleeding.

6. We only want to use the values locally, so invert the mask again.

7. Select a suitable bush size and brush away the color moiré.

Photography Through the Lens Cap

A Phase One IQ back on a medium format camera has an extremely large dynamic range allowing you to open up really deep shadows while still retaining the highlight details.

This extraordinary dynamic range makes for really extraordinary photos!

No matter how skilled we are, we all make mistakes and so did I the other day. I was shooting with my favorite lens which is marked with the “focusing sweet spot” and I forgot to remove the lens cap. I noticed it after the first shot, and removed the cap. When I got home, I imported all the images, including the shot with the lens cap still on, to Capture One.

Out of pure curiosity, I tried to see if anything was actually captured in the image with the lens cap. To my big surprise, the extreme IQ180 back had actually captured some information. Naturally, the colors did not look anything like the normal visual spectrum but I still managed to get a quite interesting image with colors that remind me of IR photography. Some heavy noise reductions were needed but then I got this image:

The left image is the original capture shoot with the lens cap still on. To the right is the same image after opening up the shadows in Capture One Pro 6.