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Add drama and creativity without compromising detail

When photographing art for Wright Auction House, no matter how dramatic or creative the shot, it is still very important for me to represent the piece of art that I’m shooting with the highest level of accuracy.

In other words, each image must faithfully represent the object. Capture one Pro 7 allows me to do this quickly and effectively.

An exceptional challenge

This sculpture in particular, a tree form by Harry Bertoia was an exceptional challenge. Nearly fifty years old and made of a special alloy, this tree form has a patina that is a large part of its aesthetic appeal, and a testament to its age, authenticity and the level of craftsmanship of the artist.

I built a fairly dramatic lighting scenario for this piece in order to create a shot that would be paired with the less-romanticized view in the catalogue. But the mid-tones and some of the purples and oranges in the patina were not standing out as much as they do when one is in the presence of the piece.

Post production

To bring those out and really convey the dimension of the form, I increase the clarity – which primarily adjusts mid-tone contrast allowing many of the colors and values – that the digital back has already recorded – to be emphasized.

I moved the sliders to the right until the results match how the sculpture is perceived in real life – from zero to 16 and 17 in clarity and structure respectively.

1 MidtonesClarityClick on images to enlarge

The nodules at the top of the sculpture are also a bit too bright and are loosing detail. As I really like what is already going on in the rest of the image, instead of correcting this problem by adjusting my lights, I will use the High Dynamic Range Tool to restore some of the detail in those ends.

2 HDRhighlights

Lastly, I will use the Curve to bring down the black values in the background to really make this piece appear like it is emerging from the darkness.

3 Curveadj

By lighting a little brighter than what I want my end result to be, and take full advantage of the dynamic range of the Phase One P30+ digital back, I am able to adjust my values and tonal curves so that the image not only is as accurate as possible, but achieves the desired dramatic effect with out loosing or compromising any detail.

The final image looks stunning next to the more traditional shot in the catalogue and really helps to sell the idea of the object.

4 catalogue spread

A few powerful tools in Capture One Pro 7 allowed me to really refine this image into the feeling I was looking to achieve while still maintaining an accurate representation of the object. I hope this helps inform your own photographic endeavors. Please feel free to post any questions and comments below.

 

Best regards

Ross

 

Images Courtesy of Wright

This image appeared in the Wright October 2013 Design catalogue available for viewing online. More information on our Catalogues and Auctions

Ross’ work can be viewed at www.rossfloyd.com

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Increase your productivity

NOTE: This article discusses an outdated version of Capture One. To learn more about our latest version, click here.

A Style is simply a collection of different adjustments stored as one selectable function. So a Style could contain one, two or several different adjustments that are available in Capture One Pro 7.

A Preset simply saves the setting in a particular tool. Like a certain curve shape or sharpening value.

Both Presets and Styles have their uses and I will look at both of them in this blog post.

Most importantly, good use of both of these features will save you time and introduce you to another of the many great features Capture One Pro 7 has.

First we will look at the basics of creating a Style and a Preset.

Creating a Style

It’s very simple to create a Style. First choose an image on which you wish to create a basic style. I’ll use the lead image in this blog post. Here it is, as a colour version.

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I want to try to make a default Black & White look that I can use with all my images. Basically, a good starting point from which I can explore further.

Before I start, I make sure I create a Variant, by choosing ‘Image > New Variant’ so that I have a virtual copy of the image to play with, without disturbing the adjustments I have already made on the colour version of the image. Read more about Variants here.

So after converting to Black & White and adjusting the Contrast, Curve, Clarity and Vignetting I arrive at this result.

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Also with two Variants displayed like so in the Browser.

2013-11-12_10-03-21For my Black & White conversion I was careful not to adjust Exposure, for example, as this will be unique to individual images. It will be just a starting point to speed up the initial conversion of an image to a Style, before making individual corrections to each image.

To save a Style, browse to the Adjustments Tool tab, indicated by the orange circle.

2013-11-12_10-06-42By default, Styles and Presets are the first tool, in this tool tab. Click on the drop down menu and choose ‘Save User Style’.

2013-11-12_10-08-37The ‘Save Style’ dialog will open and indicate what adjustments are part of your style. To leave any of those saved adjustments out of the Style, simply deselect it. For example, in the window below, we could simply deselect ‘Contrast’, if we did not want that as part of the Style.

2013-11-12_10-32-51Click ‘Save’ at the bottom of that dialog and then choose a name for your style.

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Your saved Style will then appear in the drop down menu in the Styles Library section. Simply click on it, to apply that style to the current image.

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You will also see in the Styles Library that there are a number of built-in styles. You might like to experiment with those too, or use them as a starting point to move on from.

Creating a Preset

Most tools in Capture One Pro 7 allow you to save a predefined adjustment, which you can recall at any time, much like a Style, but just for an individual tool.

For example, if we wanted to save our current sharpening parameters as a Preset, I just need to click on the Manage Presets icon (indicated by the orange circle) and choose ‘Save User Preset’.

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Again, you can choose if you want to include all or some of the parameters of a particular tool.

2013-11-12_11-00-08Finally, choose a name for your Preset and click Save in the next dialog. Now, you can select and apply your Preset to the current image, from the same pull down menu.

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Using Styles to Improve Workflow

Let’s go back to my original selection of images.

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I have selected all of them, except for the lead image, which I created the Style with. Again, I want to keep the original colour conversion, so I’ll create a new variant again in the same way as I did before, by choosing ‘Image > New Variant’.  I will now end up with this.

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There is a second Variant for every single image in my collection. Capture One Pro 7 has also kept them selected, so now it is very easy to apply my Black & White style, by choosing it from the Styles and Presets Tool.

Notice that simply by hovering on any Style will give an instant preview to the thumbnails in the browser.

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This is great for a quick look at several different styles to choose the most suitable one.

So now all of my second Variants have the Black & White Default Style applied. One more smart action I can do, is to hit the star key (*) on my keypad, which will colour tag them all as Yellow. I tend to use this tag to indicate a Black & White image, but you could use a different colour tag or perhaps even a keyword.

Then I can filter the collection in the Filters Tool, to just show me the Yellow tagged images, thus the Black & White images only.

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Now, I have a great starting point to continue working with in Capture One Pro 7. To use a Preset, it is very similar to before. I have selected all of my images and chosen the Preset I made earlier.2013-11-12_11-25-56

If we check the pull down menu once more, we can see that we have one Style and one Preset applied to each image.

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Other Uses for Styles and Presets

Styles and Presets can also be applied on Import and also during tethered capture. In the Import window, look for the option in the ‘Adjustments’ section.

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Here we can apply any Style or Preset as we import the images. This can be a huge time saver as I often use a Style to add some default corrections I like for specific cameras (notice the Panasonic GF1 Style in the above screen grab), and a Preset to add some basic Metadata.

This saves having to apply those parameters when the import has completed, saving you time in post production.

If you are capturing tethered, first choose ‘Defaults with Styles’ from the ‘All Other’ drop down menu in the ‘Next Capture Adjustments’ Tool. Then select a Style, Preset or both from the ‘Styles’ drop down menu.

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This way you can instantly show your preferred style to your client as the images are loaded into Capture One Pro 7.

 

Best regards,

David

 

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Add Punch to Your Portraits

It’s amazing what you can accomplish with an idea, a few talented people, and some incredible tools.

I wanted to create a vintage-inspired image of a boxer and was able to enlist the phenomenal talents of make-up artist Jen Brown (http://www.jenbrownmakeup.com) and my mustachioed friend Stephe.

For this shoot I was working with a P30+ and Phase one 645 DF+ and we built a small corner of a boxing ring in my studio that we lit with three Profoto acute heads.

I selected this image out of the bunch we shot, because of the aggressive cinematic feeling of the crop, his expression and the way the smoke behaved behind him. Right from the start we would then have a well-exposed slightly dramatic photo that we could push even further to achieve the dramatic results I was looking for.

Creative use of adjustment layers

Immediately I can tell there are things I’d like to emphasize and some distracting elements I’d like to tone down. Most of those adjustments will be made using the Local Adjustment Tools and the masks.

mik_1 gradient mask tool

Creating a new layer and selecting the Gradient Mask Tool, I click, drag, and pull a mask for the bottom fourth of the frame.

mik_2 gradient mask

By pulling the Exposure Slider to the left I bring the exposure down in the area occupied by the mask, reducing the glow of his bright red shorts.

Next I use the Brush Mask Tool to draw a mask over the ropes of the ring – as they are a bit too bright and distracting.

3 ropes mask

I prefer making this adjustment in Capture One Pro 7, as I can take full advantage of the wide dynamic range offered by the RAW files generated by the P30+.

The strategy I like to employ when I need to work quickly is to check the “Auto Mask” check box in the Brush Settings.

mik_4 Auto MaskCapture One Pro 7 will actually help refine your mask when this setting is applied. Then you can go back and fine-tune even more with the Erase Mask Tool.

5 erase mask tool

This additive/reductive technique is especially useful in allowing me to create more emphasis on his face.

I draw another a Gradient Mask from the top of the image, just like I did before with the bottom the image, only this time I move the Exposure Slider to the right as his head is a bit darker than his torso and I’d like to increase the exposure.

This makes too much of the image brighter. To maintain the dramatic effect of the image, I erase parts of the Gradient Mask.

mik_6 face head mask

This makes the adjustment more believable and draws more attention to the fighter’s face.

7 face head after exposure adj

I also want to bring up the clarity a bit to emphasize the tremendous amount of detail that we have in this image, so I will make another layer and paint a mask over the top two thirds of the image, leaving the ropes and his torso unaffected by the Clarity Tool.

8 No clarityBefore using the Clarity Tool

9 ClarityAfter using the Clarity Tool

Now that our overall image is looking fairly good, I am going to create a Variant so I can give the coloring of the image a final touch to manipulate the mood and emphasize the fantastic FX work of Jen Brown. Learn more on using Variants

I locate the Styles and Presets Tool, and apply a Color – Cross Blue to the entire image, then back off the saturation until the skin tones, although now cool in color, they are still looking natural and the red of his cuts really stands out.

mik_10 color - cross blue

His bruises also look darker and deeper as well.

With a little wood, a few lengths of rope and some fake blood, excellent colleagues and Capture One, I was able to achieve the exact image I had envisioned. I hope you have found techniques I have shared useful to you in your own work.

final1280_853

Best,

Ross

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How to remove spots on your images

The Spot Removal Tool in Capture One Pro 7 removes two different kinds of ‘spots’ you may see on your images. There are dust spots that are present on the camera sensor itself and spots or blemishes on the image subject – for example skin blemishes.

Capture One Pro 7 is able to remove both of these with the Spot Removal Tool. By default it can be found in the Details tool tab.

2013-10-29_12-47-51You can select between spot or dust removal.

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Multiple spot removal points can be placed on the image and they can be a range of different sizes and not limited to just Spot or Dust removal.

Example – Spot Removal

This image has a number of spots around the nose and mouth, which we can clearly see if we enlarge a little.

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One possibility would be to export the image to Photoshop and use the clone or healing brush to remove the spots. However, that involves an extra step, which will take additional time.

To remove spots in Capture One Pro 7, first select the ‘Remove Spot’ Cursor Tool. It can be selected in the Spot Removal Tool itself or from the Cursor Toolbar.

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The ‘Type’ menu selects between removing a ‘Spot’ (Blemish on the image itself) or ‘Dust’ (Dust on the camera’s sensor). The algorithms we use to detect and remove the dust are quite different for each type, so it is important you choose the correct one. You can choose this before clicking on the spot to remove or afterwards, so don’t worry if you initially choose the wrong option.

Adjust the radius of the spot removal tool, by dragging the ‘Radius’ slider to the left or right.  Try to aim for a spot removal tool size a little larger than the spot itself.

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If you need to change the parameters, like the type and size once you have placed the spot, you can do so in the Spot Removal Tool. Additionally you can also adjust the radius by hovering near the edge of the spot.

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Once a number of removal points have been placed on an image the Spot Removal Tool will look like this.

In the ‘Spot’ pull down menu you can select individual removal points and adjust them further. Click on the minus icon to delete a point.

Finally, you can also right-click with the Remove Spot cursor for fast access to the parameters.

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Here is a comparison of the same image with and without spot removal.

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Here is the image with the Spot removal points shown.

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The procedure is exactly the same for removing Dust spots from the camera sensor itself.

Best regards,

David

 

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