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Film Grain, the right photorealistic way

Capture One Pro 8 has introduced a new Film Grain tool. With this tool you can add film grain to your images in an extremely realistic way, giving the same look and feel you see in prints created from film (you remember film right?).

 

You can also use the tool to add texture to the surfaces in your images however you like without having any preconceived notion about emulating a film “look”.

Mimics the behavior of traditional silver halide films

The film grain options you can apply in Capture One Pro 8 are generated by an algorithm. This process mimics the behavior of different traditional silver halide films and maintains a natural feel rather than simply stamping a mask over the image as some softwares do.

The Capture One Film Grain will add texture to your images while still preserving the all-important detail and structure in the image, just like film does.

You can find the Film Grain tool in the Details Tool tab of Capture One 8.

Tip802 Img2 fullThe Film Grain tool in its default location of the Details Tool Tab. Here the type “Silver Rich” has been selected with an Impact of 100% and a Granularity of 80%.

 

There are three different controls for the Film Grain tool, Type, Impact and Granularity:

Type: When choosing ‘Type’ you are selecting the “technology” of the film you want to simulate. The Fine Grain option is not actually a film grain but the standard “grain” that you may have used in previous versions of Capture One. So to successfully emulate a film look you should choose among the following methods:

 

  • Silver Rich
  • Soft Grain
  • Cubic Grains
  • Tabular Grains
  • Harsh Grain

 

The Type that you choose will change the look of the grains by having different properties applied, which will change the shape, distribution and size of the grains.

Silver Rich is a very good starting Type when it comes to exploring the Film Grain tool.


Impact:
With the Impact slider you can determine how strong you would like the effect of the film grain to show on your image. In a way it is similar to determining the opacity of the grain. If you want to simulate real film you should use maximum Impact of 100%.


Granularity:
With the Granularity slider you determine the amount of grain per pixel. So to simulate a fine grain film, use low values of Granularity between 0 and 30. If you want a real strong visible effect, use values up to 100%. This adjustment can be thought of similar to the speed of the film used, when comparing the adjustment to the use of Film.

 

Viewing the grains:

The best way to see the Film Grain effect is to zoom into the image 100%. Only at these resolutions will you see the actual effect of the adjustment. If you zoom out, for instance, Capture One Pro 8 will simulate the grain look in an approximate manner but be aware that this is primarily used for you to see that grains have been added. You should not judge the film grain adjustment when zoomed to “Fit” as the results may not be 100% accurate to your final processed file.

 

100% zoom

Tip802 Img3 full             Granularity =20                         Granularity =30                               Granularity =60

 

For all three images the Type “Silver Rich” with an Impact of 100 have been used.

Preserving details:

Tip802 Img4 fullFull image                                     100% zoom – No Film Grains           100% – With Film Grains

In the third image above I’ve added a Film Grain with relatively strong Impact. Still you can easily see all the important details in the image that are present without the Film Grain adjustment.

The Film realistic look of the Phase One Film Grain

In the silver halide film process, a single grain would turn black after the film is developed, should it have been exposed to a proper amount of light. This means that the more light a film was exposed to, the more film grains would turn black after developing.

This kind of behavior can also be seen when using the Film Grain tool in Capture One Pro 8. Due of this film like behavior of the tool you will see pure blacks and pure whites without Grains and a super realistic tonality in between. Remember, fully exposed grains would be pure black on the negative and thus pure white on the print, and vice versa.

Tip802 Img5 full

In this image I have clipped the histogram to ensure that I get real deep blacks and pure whites. The results meant to properly emulate a “film” look.

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A 100% zoom into the deep black areas of the image. Notice that the clipped deep black appears without Grain. Just as film would.

Tip802 Img7 full

A 100% zoom into the bright part of the image. Notice that the image goes totally white simulating that all the film grains have been exposed. Again, just as we would find in film.

 

The Film Grain in Capture One Pro 8 will adapt to any adjustment change you do to your image ensuring beautiful and realistic Film Grain effects.

Grain designed for print

The Film Grain tool is designed very cleverly to generate Film Grain that, in print, will give the same look whether you use an image from a high-resolution camera or a low-resolution camera, as long as you print the image at the same size. As a consequence a 100% zoom into for instance a 80M pixel Phase One IQ280 image with Film Grain added will look a little different compared to a 100% zoom into for instance a Canon 5DMKII image.

Determining the right Granularity for a print

How visible the grain will appear in the final printed image depends on how large you print your image – exactly like using real film. So it is strongly recommended that you do some test print at your normal print sizes with different values of Granularity, but with fixed Method and Impact.

Once you have a clear idea of what settings you prefer for different print sizes it’s a good idea to create your own Film Grain Presets for instance:

  • Medium Grain A3
  • Medium Grain A4
  • Medium Grain A5
Scaling an image with Film Grain:

The film grain in Capture One Pro 8 is added to the image at the full size of the images. So if you process the image to a size different from 100% you should be aware that the grain will be scaled accordingly and thus it will look different. As a rule of thumb you should increase the Granularity by approximately 30 points if you downsize the image by 50%. This should be followed in order to achieve the same size grain-look seen at 100% in Capture One.

100 % zoom

Tip802 Img8 full            Size = 100 %                                 Size = 50 %                                   Size = 25 %
Granularity = 30                                   Granularity = 60                           Granularity = 90

The same image is processed to different sizes using the Film Grain tool. To achieve the same visual effect of the Film Grain when viewed at a 100% zoom rate, I’ve compensated with an extra 30 points of Granularity every time I reduce the image size by 50%.

Adding Grain after retouching in Photoshop

If your workflow normally involves retouching in Photoshop, you can still use the Film Grain tool in Capture One Pro 8 as it works the same when applied to Tiff and Jpg files. In this case you start processing the RAW file without using the Film Grain tool and then add the Film Grain to the resulting Tiff file after you have finished the retouching.

 

All the best,

Niels

 

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The enhanced B&W tool put to the test

As an assignment we were asked to portrait our friend Michael, one of the owners of Zurich’s L’Ei’Out design agency.

We had the unique opportunity to portrait him in the south of France, Provence Region. We were very lucky to find a cool spot, a unique piece of furniture – and to have a great guy in front of our Phase One camera. The rest was an easy job for Capture One Pro 8.

Tremendously improved conversion

First I started to import the image into a Capture One Pro 8 session and chose the Base Characteristics for our Phase One IQ260 and used a “Film Standard” Curve. See screenshot below.

ssp_1

 

Then I rotated the picture a bit by using the new “Rotate Freehand” tool: just pick the tool, click somewhere in the picture and rotate as you wish! See below.

 

ssp_2

 

The Black and White dialog box in Capture One Pro 8 is still the same as in the previous version – but the result of the conversion is tremendously improved! I turned yellow and green down to get a deeper and more dramatic appearance since I had a lot of foliage in the picture.

 

ssp_3

 

In the Exposure tab I opened the shadows a little bit in the HDR tool and applied a slight s-curve to add some more contrast. I have chosen the new Clarity method “Natural” and darkened the corners of the picture with the vignetting tool massively to get the picture more into a classic black and white look.

 

ssp_4

 

The new Film Grain tool is great, especially for black and white pictures. For this picture I used the grain type “Silver Rich” and have chosen the granularity to my taste. I also “misused” the Spot Removal tool to do some simple corrections in Michael’s face and also removed a bright and disturbing spot in the background!

 

ssp_5

 

Now… the fun part: With the improved Local Adjustment tools in Capture One Pro 8, it’s really easy to do some dodge & burn within Capture One.

I created two correction layers “lighten” & “darken” and drew the masks accordingly. Just use a soft brush with a low opacity! I lighted some minor parts in the face and darkened the background and parts of the jeans. With the massive performance increase in version 8, drawing a mask is really fast and easy now!

So this is the “lighten” part before:

 

ssp_6_before

 

So this is the “lighten” part before: And this is the version with the correction and the mask applied!

 

ssp_6_after

 

The same with the darken layer. Here is the version before:

 

ssp_7_before

 

This is what the mask looks like:

 

ssp_7_mask

 

And this is the version with the correction layer applied!

 

ssp_7_after

 

Below is the final image out of Capture One! Please note that the whole process – including the dodge & burn part – took us less than five minutes! I hope you enjoyed that little trip to France!

 

ssp_128_853_crop

 

Best regards,

Andreana and Alex
Scanderbeg Sauer

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Realistic HDR with Capture One Pro 8

 

Capture One has a High Dynamic Range tool designed to optimize images with a large dynamic range normally leading to loss of detail and colors in highlights and shadows.

In Capture One Pro 8 the High Dynamic Range tool has been improved in such a way that it is easier to recover detail in both shadows and highlights in a natural way.

Avoid the “HDR look”

The design goals have been to achieve a more natural and realistic look when doing strong correction. With the new High Dynamic Range tool in version 8 you are now able to do strong corrections without getting the artificial HDR look.

The High Dynamic Range tool is now also available in Local Adjustments Layers. So if you need super strong corrections you can now simply add an extra layer and apply more Shadow or Highlight recovery from the High Dynamic Range tool.

Tip801-Img2 full

                           Before                                                                           After

The image to the left is straight out of the camera. The image has been exposed with just a bit of clipping in the brightest part of the sky.

The image to the right is after it has been optimized in Capture One Pro 8 primarily by using the improved High Dynamic Range tool.

The improvements in Capture One Pro 8

To show how the HDR tool has been improved I will use the image from above.

In order to compare version 7 against version 8 I will start by looking at the image in Capture One Pro 7. By first using version 7 the image will get image settings from this version, which will be maintained when you look at the image in version 8. If you look at the Base Characteristics tool you will see that the processing engine “Capture One 7” is used for the image. If I make a new variant of the image (F2 on Mac/F7 on Windows) the new image will, by default, be using the new engine “Capture One 8”.

Tip801-Img3 full copy

Two variants of the same image. The variant to the left is using Capture One 7 engine as it has been opened in Capture One 7. The variant to the right is using the Capture One 8 engine.

If I now apply maximum values for the Highlight and Shadow sliders in the High Dynamic Range tool, which is something that I would hardly ever do, then it becomes much easier to see what I mean by saying that the new version looks more natural and realistic.

Tip801-Img4 full copy

Capture One Pro 7                                                 Capture One Pro 8

For both variants maximum values for Highlight and Shadow corrections have been applied in the High Dynamic Range tool. When looking at the version 7 variant it is easy to see that the image has become unrealistic with a grayish low contrast look. The tone transitions in the sky also break up a little bit.

When looking at the Capture One 8 variant the overall appearance is a much more natural and realistic look. The sky is also showing a nice and smooth tone transition from the orange highlights to the darker corners.

Applying High Dynamic Range tool in an Adjustments Layer

When comparing the two versions of the software, it is obvious that version 8 gives a more realistic look. But what if you like the deeper orange sky from the version 7? In Capture One Pro 8 you have the ability to apply the High Dynamic Range tool in a Local Adjustments Layer. So if you need even more highlight recovery you can simply add more in a Local adjustments Layer.

In this case I simply added another Local Adjustments Layer and used the Fill Mask feature to apply the extra Highlight recovery on the whole image.

Tip801-Img6 full

Tip801-Img5 full copy

A deeper orange sky has been achieved by adding more highlight recovery in a Local Adjustments Layer covering the whole image. I have also reduced the Shadow correction to around 55, which I find works better for this image.

To finish up the image I would typically add some Clarity and Structure with the Clarity tool. This brings back more local contrast to the image, which I often find pleasing when very strong corrections have been made in the High Dynamic Range tool.

Tip801-Img7 full

Final image after applying Shadow and highlight recovery with the High Dynamic Range tool as well as adding some Clarity and Structure in the Clarity tool.

Will settings in Capture One 7 give same results as in Capture One Pro 8?

In the process of enhancing the High Dynamic Range tool we have made some changes around how we split shadows, mid-tones and highlights and how we weigh the different colors in an image. This is all part of why the improved tool works in a more realistic and natural way.

These changes will have an effect and the slider settings for the High Dynamic Range tool made in Capture One 7 will not give the same look as in version 8. Capture One Pro 8 respects all settings made in version 7 and an image adjusted in version 7 will look exactly the same in version 8, as long as you don’t upgrade the engine for the image.

If you want to see how the image will look using the Capture One Pro 8 engine without loosing your version 7 variant, the safest way is to create a new variant, which by default will be using engine “Capture One 8”, and then simply make a Copy and Paste of all settings from the first variant. This way you can compare the engine 7 and 8 and do whatever tweaking you need with the Capture One 8 variant to make it look as good or better than the version 7 variant.

Tip801-Img8 full copy

Use the copy and paste icons to move settings from a variant using Capture One Pro 7 engine to a variant using Capture One Pro 8 engine.

All the best,

Niels

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