With the addition of Linear and Radial Gradient Masks in Capture One, the possibilities for efficient layered workflows have expanded. Let’s go through two examples of how they can be used!
I’m not going to explain in detail how to use the tools, as I will focus more on the examples. In the end of this post, I’ll link to the tutorial to cover the tools themselves.
Example 1: Wedding Portrait
This image has three Layers with Gradient Masks applied to them. Let’s go through them one by one.
Radial Gradient #1
The first Radial Gradient is made very big with most of the top and left part left out of the image. It works like a vignette, but is off-center and focuses more on the foreground than the sky. I pulled down the exposure, contrast and clarity to enhance focus on the couple.
Radial Gradient #2
The second Radial Gradient is made to lift the shadows from the couple’s faces. A fair amount of shadow recovery with some negative contrast help eliminating dark shadows and soften up.
The Linear Gradient is created to enhance the misty feeling of the background. I made it asymmetrical to make sure the fall-off into the field and on the couple wasn’t too harsh. The only adjustment here is a lift in curves, in particular the end point.
The difference here is the three layers described above. This could of course have been accomplished with manual brushing as well, but the parametric functionality (allowing transforming and moving the gradients) adds to the flexibility of the workflow.
Example 2: Linear Gradient + Luma Range
This image has a single Linear Gradient Mask with a specific Luma Range applied. Let’s see how it’s made.
Linear Gradient limited by a Luma Range
The mask above is limited by the Luma Range shown in the tool. Notice that dark areas are left out to exclude the mountain top, while the brightest areas are left out to exclude the clouds. The bright fall-off is soft to avoid weird transitions in the clouds. Additionally, Radius and Sensitivity make sure the edge of the mask is not too funky.
I decreased exposure and saturation to give the sky the look I wanted.
The difference on this image is quite dramatic, but still easy and flexible. Both the Linear Gradient and the Luma Range are dynamic, and can be adjusted and transformed if needed.
The sky might be a bit too dark for some of you, but I want to show the power of adding a Luma Range to a Gradient Mask with a visual example.
Want to learn exactly how to use these tools? Watch below!
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